Josh Moshier & Mike Lebrun

Joy Not Jaded

oa2 22057

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MUSIC REVIEW BY Philip Davia, Chicago Jazz Magazine

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This new recording, which features all new compositions by highly talented musician/composers Josh Moshier and Mike Lebrun, opens with "Kings Road." The piano figure is mysterious and sparse and there is great use of space and rhythm in this piece. At certain points it has a very hip, avant-garde feel.

"Jambo" features a playful melody performed beautifully with the whole band playing part. Guest guitarist John Moulder plays a perfectly executed and melodic solo on this tune. "Saturnine," which features an acoustic guitar and piano, showcases Moshier's modern composition and how very well the entire group plays together.

While all the tunes are cleverly put together and beautifully executed, "The Second Handers" shows a complex piece of music in both its harmonic movement and rhythmic variety. The different sections move from one to the next with fiery solo playing over a dynamic rhythm section. The tune hits a peak as it ends with guitar and saxophone trading lines.

From the opening electric piano riff "Eleven Toe Waggle" is my favorite cut on this disc. The piano riff becomes a motif throughout this tune. There are moments where this repetitious figure is joyously mesmerizing, and at this point, Lebrun's saxophone launches into smooth and soulful solos.

The syncopation laid down by the entire group provides rhythmic variety that glues this all together. This music is just damn good! "Avocado Soul" features the most lush and beautiful piano accompaniment by Mr. Moshier. Lebrun plays a bluesy, soulful sax solo over these most righteous chords. This is a subtle piece and it is captivating. The electric piano returns in "Finally Done, Still Frustrated" with a tremendous groove and a marvelous Robert Meier bass solo that had my foot tapping throughout the tune.

While "Known Unknowns" features another soulful guitar solo over a complex and freely moving harmony, Moshier plays a fine solo over his own composition. The opening electric piano chords of "Sleepwalking" give way to a very modern piece, but one that grooves throughout.

At times, the quartet sounds like a much larger band. Jazz could use more electric piano and it sounds tremendous here with a funky groove by Krucoff supporting Moshier's hip solo lines. "Misfortunately Pleasant Opportunity" is a modern ballad. It's like nothing I've heard before. Both Moshier and Lebrun use space very effectively and the tune is beautiful and harmonically interesting.

The disc finishes with the up-tempo, bebop groove of "Who Shall Excel Them." Robert Meier and Max Krucoff, as they do on every track, masterfully play through many rhythmic sections of this piece. This CD offers new and complex compositions, very melodic soloing, infectious grooves and a sense style which illustrates that the future of jazz is in good hands.






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