Thomas Marriott

Constraints & Liberations

origin 82577

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MUSIC REVIEW BY George Fendel, Jazz Society of Oregon

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I can recall hearing a teenage Marriott sounding for all the world like Clifford Brown! As most musicians do, he's moved into other arenas, certainly finding his own voice, but it remains at times a silvery, gorgeous trumpet sound. On these seven originals, Marriott works little miraculous turns with tenor man Hans Teuber, and leaves lots of room for pianist Gary Versace and his rhythm section to create on their own terms. Marriott's compositions paint a complete and colorful picture of where he is right now, and that's in creative mode






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