Browse some recent Origin Reviews.
The H2 Big Band - It Could Happen
by George Fendel, Jazz Society of Oregon
Out of the gate it might be a good idea to explain the name of this outfit. It's simple. Co-led by Denver area trumpet ace Al Hood and pianist Dave Hanson, this is a no-punches pulled gathering of some of the premier studio cats in Los Angeles. Featured are such stars as Gary Foster, alto sax, clarinet and flute; Carl Saunders, trumpet; Andy Martin, trombone; Larry Koonse, guitar; and Joe LaBarbera, drums. Also on board are singer René Marie,... read more
Jon Hamar - Hymn
by C. Michael Bailey, allaboutjazz.com
Track review of "Comes Love" - Origin Records bassist Jon Hamar effects an intimate trio with alto saxophonist Todd DelGiudice and pianist Geoffrey Keezer on Hymn. Heard most recently, prior to this date, on Richard Cole's Inner Mission (Origin Records, 2007), Hamar's Hymn is heavy on introspective yet muscular originals, as Hamar also chooses some sturdy standards upon which to improvise.
Hamar closes his disc with... read more
Scott Reeves - Portraits and Places
by Carmel DeSoto, Music Archives
New York based composer, arranger and trombonist/alto flugelhornist, Scott Reeves formed his impressive orchestra in 2008, and while Portraits and Places marks its recorded debut, Reeves spent a number of years before that sharpening his composing and arranging skills at the highly regarded BMI Jazz Composers Workshop where he received guidance and mentoring from Manny Albam, Mike Abene, Jim McNeely and Mike Holober. The result is influenced... read more
Piet Verbist - Secret Exit to Another Dimension
by Tom Haugen, Take Effect
The Antwerp bassist Piet Verbist has played a pivotal role in the Belgian jazz scene, and this 5th album on the Origin label has him aligning with Hendrik Braeckman on guitar and Lionel Beuvens behind the drum kit for a listen full of intimate and moody originals.
"The Other Side" opens the listen with a very stylish and upbeat display of bouncy bass, intricate guitar and frisky drums populating the lively jazz climate, and "A Noble Trice"... read more
Tom Collier - Alone in the Studio
by Chris Spector, Midwest Record
One of the most eclectic multi-instrumentalists you are ever going to run across, Collier pulls the sum total of 50 years at this gig together with a set that has you rapt by things like vibe solos played with such an innocence and lack of guile you almost forget where you are. It's the chops---they're well done. Smart and sly jazz that takes you from classics to originals, he's been everywhere with everyone and it's easy to see why.... read more
Roberta Brenza - It's My Turn to Color Now
by Derek Ansell, Jazz Views (UK)
Any jazz vocal album that features Sheila Jordan as a guest on two selections is worthy of close investigation and this one is no exception.
Not that the veteran jazz singer is the only attraction here as Ms Brenza gives a sterling performance throughout this programme.
The opening title song swings away merrily and it is in fact the singer's very first composition dating from 2014. Song For My Father is given a brisk vocal treatment with... read more
Doug Beavers Orchestra - Jazz, Baby!
by Warren Truitt, kidsmusicthatrocks.blogspot.com
Imagine a Toddler Las Vegas, a Rat Pack of sippy cup totin' hipsters ... I'm pretty sure this would be the music they would be digging! Now, I've said before that if a kids' performer decides to record nursery rhymes or folk tunes, they'd better bring something different to the table. And much like Josh Levine's salsa-fest Josh Levine for Kids or Rockosaurus Rex's metalhead heaven The Big Bang, the Doug Beavers Rovira Jazz Orchestra does just... read more
Nick Finzer - The Chase
by George W. Harris, Jazz Weekly
Trombonist Nick Finzer leads a sublimely swinging sextet through a collection of well crafted originals here. He teams up with Lucas PIno/reeds, Alex Wintz/g, Glenn Zaleski/p, Dave Baron/b and Jimmy McBride/dr and they glide easily with style and grace on medium tempo toe tappers like "Life Happens" and "All Hype." Finzer has a warm tone to his horn, easy and relaxed and it mixes well with Pino's tenor on the exotic "Spheres of Influence" while... read more
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