Chad McCullough Bram Weijters

Urban Nightingale

origin 82626

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MUSIC REVIEW BY Dave Sumner, Bird Is The Worm Jazz Blog

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Following on the success of their 2011 collaboration Imaginary Sketches, trumpeter Chad McCullough and pianist Bram Weijters display with their latest release Urban Nightingale that they are truly a perfect match creatively.

Despite originating from opposite ends of the globe, the two have a symbiotic connection from both a perspective of group interplay and also personal voicing. Illustrated right from the first notes of album-opener "Nightingale," the duo share an inclination to express smoldering evocative notes with a pensive, deliberate touch. This often creates a sensation of holding one's breath for just half-a-heartbeat, and enhancing the anticipation of subsequent notes. It's the quality that makes this recording, and the last, a positive winner.

On Urban Nightingale, this trait is increasingly apparent, as they have upped the dramatic tension more so. For instance, "Residue" is a song of burning coals - unthreatening until you feel the heat, and "Tired and Dizzy" slowly raises the temperature, imperceptibly at first, but then experienced all at once. "Phyrgian" and "Flow" are less subtle than the other album tracks, upping tempo and volume, yet without sacrificing the meditative qualities that make their music so captivating.

But despite the preponderance of up-tempo pieces on the current recording, this quartet's bread and butter are the ruminative cloudy-day tunes that give the impression of falling rain even when the sun is shining bright. "Buildings in a Dark City" has a contemplative stillness that can't be broken. Album-closer "Downtime" is a melancholy tune with pop-music tinged melody that drifts serenely from first note to last. "Residue" has a heavy heart that struggles to maintain a wide smile.

An impressive follow-up to an impressive initial release. Looking forward to more of this.






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