Marlene Rosenberg

MLK Convergence

origin 82781

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MUSIC REVIEW BY Paul de Barros, Downbeat (HOT BOX)

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MLK Convergence showcases Chicago bass stalwart Marlene Rosenberg's muscular sound, rocksteady time and imaginative solo ideas far better than her first Origin recording, 2012's Bassprint. The title of this recent recording comes from the "convergence" of Dr. King's initials with those of her star-studded trio—Marlene, Lewis (Nash) and Kenny (Barron). It's also an allusion to the album's affirmative theme of social justice.

Hope emanates from Stevie Wonder's "Visions," with Rosenberg poignantly bowing the melody, and "Love's In Need Of Love Today," which makes for a moving closer. The calls for equality and peace ring out among a litany of all too familiar outrages, rapped by Rosenberg and guests Thomas Burrell and Robert Irving III, with Christian McBride joining the bandleader in a vigorous tandem showcase. McBride also guests on "And Still We Rise," a funky, sharply executed Rosenberg tune featuring another bass duet. Its title's also a sort of pun on a Maya Angelou poem ("And Still I Rise") and on the irony of bass players taking the top line. That track and Rosenberg's
poignant rendition of Barron's gorgeous ballad "Rain" are the album's best, with her bright, uptempo tune "The Line Between" inspired by the marches in Selma, Alabama, not far behind.

Elsewhere, the album flags a bit, certainly not because of the playing—the trio meshes organically and swings mightily—but because Rosenberg's other tunes lack the kind of definition and framing that catch the ear. Still, it's a strong album with a timely and welcome theme. - Paul de Barros

Rosenberg's resolute pulse throughout this record is the message: She doesn't back down. Sometimes defiant, sometimes touching, her playing on these 10 tracks always commands the space—quite a statement, given the shared clout of bandmates Barron and Nash. Superb. —Suzanne Lorge

There's an inner poise to this music, and it makes the three-way discussion of each track glow with refinement. Not shocking: That's how Barron and Nash operate. —Jim Macnie

This is the rewarding result of an artist focusing as much on feeling as on lofty concepts. The bassist possesses a warm, full-bodied tone and natural sense of swing—both elevated thanks to the attractive compositions and noteworthy personnel. —John Murph






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