Browse some recent Origin Reviews.
Michael Waldrop - Time Frames
by Chris Spector, Midwest Record
The percussionist shows there's more that you can do with rhythm than provide heat for the feet. Kind of a world jazz based set that takes you well off the beaten path, if things like marimba, kalimba and such are familiar to you, this often trancy set with tickle your fancy in a nice way. Step into his chamber and feel the... read more
Chris Walden - Chris Walden: Symphony No. 1 - The Four Elements
by Stephen Eddins, All Music Guide
**** 4-stars
German-born Chris Walden is best known as a jazz performer (he created his own big band), for his writing for film (he has scored over 40), and for his orchestral arranging (his clients are as diverse as Paul Anka, Sheryl Crow, Barbra Streisand, and the Chicago Symphony Orchestra). His first symphony is the first piece of absolute music he has written for orchestra and marks a move toward reaching out to a more traditionally... read more
Dan Dean - Songs Without Words
by Dan McClenaghan, All About Jazz
TOP TEN OF 2017 - And lastly - something not jazz: Bassist Dan Dean has created a set of sounds as innovative, in its way, as the 1968's Moog synthesizer-driven Switched on Bach (Columbia Masterworks, 1968), from the forward thinking Walter (Now Wendy) Carlos. Crafting a polar opposite of sorts of the legendary Carlos set, Dean - with just his bass and his overdubbed voice - shapes a gorgeous, soaring, ephemeral sound, drawing from Bach,... read more
Dan Dean - Songs Without Words
by Raul da Gama, JazzdaGama
After years of playing and producing music for musicians such as vibraphonist Tom Collier, the virtuoso bassist - and it turns out one with rather operatic intentions - and master of the art of whistling as well Dan Dean steps out and into his own studio to record quite magical versions of chorales, arias and concertos without nothing but his velvet tenor, his trusted bass and the art of whistling - all on the disc entitled Songs without... read more
Dan Dean - Songs Without Words
by Chris Lunn, Ancient Victorys
This is an unusual and special project. Dan Dean is known for his own groups, recording and mixing, and his collaborations with Tom Collier. I first encountered his works with a couple of different groups at the Other Side of the Tracks in the mid 70s along with his work with Collier, with whom he has been musical buddies even in their teenage years. His bass work and sound is found in many recording groups and engineers, because of Dean's... read more
Dan Dean - Songs Without Words
by George W. Harris, Jazz Weekly
Wanna know what heaven is going to sound like? Grab a hold of this album and you'll at least have a hint.
Dan Dean supplies layers of his voice as well as an occasional bass and whistle to this wonderfully arranged collection of "classic" classics. His wordless vocals create an ethereal mood that floats with sublime joy on Bach's "Air on a G String" while he makes you feel like you're in a dream on "The Sheep May Safely Graze." Dean creates a... read more
Naama Liany - Daydream
by Abigail Okorodus, Delano (Luxembourg)
The French-Israeli mezzo-soprano Naama Liany is set to launch her debut album titled Daydream with a release show this January at the Philharmonie. The album was supported by the culture ministry and Kultur lx.
Tell us about your new album. What inspired the idea to create it?
My new album, Daydream, brings together works on the subject of dreams and daydreams by Samuel Barber, Leonard Bernstein, Federico Mompou and Albena... read more
Dan Dean - Songs Without Words
by Chris Spector, Midwest Record
Recording on Mercer Island and giving the first special thanks credit to Nancy Rumbel - do you think this is going to be your usual egghead classical date? The protean bass player surrounds himself with his ax and his voice and a mic taking warhorse repertoire to places you'd never imagine. Deciding to do it for himself this time around, the unquestionable bass ace takes it to church and everyplace else in the course of this sterling recital.... read more
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