“...Christiansen lights a rhythmic fire that never flickers, punctuating chords with precision and soloing with zeal...”
- Downbeat Magazine
AVAILABLE ON VINYL!!
Still retaining a thoroughly modern jazz aesthetic, guitarist Corey Christiansen here looks to traditional cowboy songs and melodies of the frontier for inspiration, capturing the sweeping vistas of the western landscape through open vamps, searing solos and spacious grooves. With keyboardists Steve Allee & Zach Lapidus, bassist Jeremy Allen, drummer Matt Jorgensen and master percussionist Mike Spiro.
1. DYING CALIFORNIAN (7:10)
2. STREETS OF LAREDO (6:52)
3. IN THE PINES (6:56)
4. CALIFORNIA WIDOW (4:39)
5. SITTIN' ON TOP OF THE WORLD (4:22)*
6. EL PASO (6:33)
7. BURY ME NOT ON THE LONE PRAIRIE (4:46)*
8. CHAPARRAL (4:02)
9. IL GRANDE MASSACRO (3:41)
10. RED RIVER VALLEY / BOOTYARD 4:07
* only included on the CD/iTunes version
COREY CHRISTIANSEN - guitar
STEVE ALLEE - keyboards, piano
ZACH LAPIDUS - keyboards, piano, SuperCollider
JEREMY ALLEN - acoustic and electric bass
MATT JORGENSEN - drums
MICHAEL SPIRO - percussion
Produced by Corey Christiansen & Jeremy Allen
Recorded & Mixed by Jake Besler at Farm Fresh Studios, Bloomington, IN. August 30 & 31, 2012
Additional Recording by Tim Moes at WhySound Studios, Logan UT, January 3, 2013
Mastered by John McCaig at panicStudios, Seattle, WA
Photography by Casey McFarland
Cover design & layout by John Bishop
A cowboy spirited album from a Wes influenced jazz guitarist? Well, he is from Utah and he didn?t go down Chris Parkening?s road so when genes will out, it was bound to happen. Does it feel out of character? Nah. Hell, if you didn?t already know ?Streets of Laredo? was a cowboy song, this would sound like some introspective meditation. A solid list ...
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Jazz Guitar Society of Western Australia
On this, his latest CD, Corey Christiansen interprets in a thoroughly modern jazz way, some of the old cowboy songs and melodies of the frontier.Tunes like ?Streets of Laredo?, ?Red River Valley? and ?Sittin? on Top of the World? will be quite familiar to many of us and the latter title really swings. The other tunes which may not be as familiar ar ...
LongPlay: RadioJAZZ - Poland
[translated from Polish] Lone Prairie is the fifth album by Corey Christiansen in recent years (third released by the American label Origin Records), successfully strengthening his position among the greatest jazz guitarists in the world. After a stunning debut in 2004 (The Awakening), an album he recorded with trio MB3 (Hits Jazz Vol.1), and two a ...
The Jazz Word
Guitarist Corey Christiansen explores the rich melodic legacy of traditional American cowboy tunes, with a few of his originals, on Lone Prairie. Although Christiansen has an acclaimed past as a straight-ahead jazz guitarist and educator, he really is a stylistic chameleon with a blues-based foundation, authentic in a variety of settings. His use o ...
KIOS Radio - Omaha
Jazz CD of the Month. In the last ten years a number of jazz artists have released recordings that attempt to fuse jazz and country music; these efforts have yielded results of varying success. Guitarist Corey Christiansen's latest effort is without doubt an exception. Lone Prairie captures the mood of classic country and puts into a jazz context ...
All About Jazz
(C. Michael Bailey)
Guitarist Corey Christiansen has released two previous recordings on the Origin label in Roll With It (2008) and Outlaw Tractor (2010). Both were well received and featured Christiansen's ethereal playing, characterized by a deep reverb beneath a slightly overdriven tone. These recordings are uniformly fine, but generally lacked a thematic center ( ...
Jazz Society of Oregon
(Deborah DeMoss Smith)
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A tribute to the ...
Louisville Music News
(Martin Z. Kasdan Jr.)
Guitarist Corey Christiansen shines on his new album, which includes new renditions of the title track, "El Paso," and others from the folk/country canon, as well as three originals and Ennio Morricone's "Il Grande Massacro." Joined by pianist Steve Allee and others, Christiansen seems to meld influences from Pat Metheny and Bill Frisell into ...
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