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Origin Records Catalog | OA2 Records Catalog


Lorin Cohen
ORIGIN 82693

Hugo Fernandez
ORIGIN 82692

Tom Collier
ORIGIN 82691

Michael Waldrop Big Band
ORIGIN 82690

Sarah Partridge
ORIGIN 82689

Lucas Pino
ORIGIN 82688

Josh Nelson
ORIGIN 82687

Scott Hesse
ORIGIN 82686

The H2 Big Band
ORIGIN 82685

John Stowell | Michael Zilber
ORIGIN 82684

Chad McCullough & Bram Weijters
ORIGIN 82683

Gene Argel
ORIGIN 82682

George Colligan & Theoretical Planets
ORIGIN 82681

Piet Verbist Zygomatik
ORIGIN 82679

Jim Norton Collective
ORIGIN 82678

David Friesen Circle 3 Trio
ORIGIN 82677

The Spin Quartet
ORIGIN 82676

Brad Goode
ORIGIN 82675

Clarence Penn
ORIGIN 82674

Ryan Shultz
ORIGIN 82673

Thomas Marriott
ORIGIN 82672

Jerry Heldman
ORIGIN 82671

Hal Galper
ORIGIN 82670

Chris Walden Big Band
ORIGIN 82669

Dee Daniels
ORIGIN 82668

Bobby Broom
ORIGIN 82667

Laurie Antonioli
ORIGIN 82666

Collier & Dean
ORIGIN 82665

Todd Bishop
ORIGIN 82664

Anthony Branker and Word Play
ORIGIN 82663

Peter Lerner
ORIGIN 82662

Bobby Selvaggio
ORIGIN 82661

Jessica Williams
ORIGIN 82660

Dominic J. Marshall
ORIGIN 82659

Top Viewed Recordings

DISCOVER AN ORIGIN ARTIST:

Laurence Hobgood
“Laurence Hobgood is one of the finest pianists out there. Period.”

Stu Katz
“[Stu]Katz . . . remains - along with Barry Harris, Hod O'Brien, and one or two others - among the last fully authentic purveyors of unreconstructed bebop piano in the country.”

Matija Dedic
“Dedic's phrasing is unpredictable and exciting, and he has a very definite time-feel that is all his own.”

Anthony Branker
“Anthony Branker is crafting some of today's finest compositions”

William Thomas
“'Notes From A Drummer' reveals the inner workings of a seasoned drummer who clearly has much to say.”

New Stories
“An impeccable rhythm section...”

Jim Norton
“...one of the most satisfying and revelatory investigations into the music of Bill Evans since the pianist/composer's death...”

Trio East
“Each brings a singular skill and presence...”

Gregg Keplinger
“Keplinger, power personified, is captured here as never before. Better known as a guru, collector, designer, and purveyor of drums and cymbals than for his rare public performances, his fearless playing perfectly offsets Mandyck. He can be torrential, densely polyrhythmic, or the most challenging of accompanists. What he can't do is be the self-effacing routinier. Together, these two iconoclastic virtuosi open new territory, revealing a stormy, eerily beautiful musical world where they and their listeners seem remarkably at home.”

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    Seattle, WA 98118
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