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Origin Records Catalog | OA2 Records Catalog


Tad Britton
ORIGIN 82697

Clay Giberson
ORIGIN 82696

Nick Finzer
ORIGIN 82695

Jack Perla
ORIGIN 82694

Lorin Cohen
ORIGIN 82693

Hugo Fernandez
ORIGIN 82692

Tom Collier
ORIGIN 82691

Michael Waldrop Big Band
ORIGIN 82690

Sarah Partridge
ORIGIN 82689

Lucas Pino
ORIGIN 82688

Josh Nelson
ORIGIN 82687

Scott Hesse
ORIGIN 82686

The H2 Big Band
ORIGIN 82685

John Stowell | Michael Zilber
ORIGIN 82684

Chad McCullough & Bram Weijters
ORIGIN 82683

Gene Argel
ORIGIN 82682

George Colligan & Theoretical Planets
ORIGIN 82681

Piet Verbist Zygomatik
ORIGIN 82679

Jim Norton Collective
ORIGIN 82678

David Friesen Circle 3 Trio
ORIGIN 82677

The Spin Quartet
ORIGIN 82676

Brad Goode
ORIGIN 82675

Clarence Penn
ORIGIN 82674

Ryan Shultz
ORIGIN 82673

Thomas Marriott
ORIGIN 82672

Jerry Heldman
ORIGIN 82671

Hal Galper
ORIGIN 82670

Chris Walden Big Band
ORIGIN 82669

Dee Daniels
ORIGIN 82668

Bobby Broom
ORIGIN 82667

Laurie Antonioli
ORIGIN 82666

Collier & Dean
ORIGIN 82665

Todd Bishop
ORIGIN 82664

Anthony Branker and Word Play
ORIGIN 82663

Peter Lerner
ORIGIN 82662

Top Viewed Recordings

DISCOVER AN ORIGIN ARTIST:

Kelly Sill
“... oceanic tone [that] carries on a Chicago bass tradition that starts with Milt Hinton and runs through such artists as Wilbur Ware and Rufus Reid...”

Dominic J. Marshall
“[Marshall] brings together a great heritage of the past, but also something very fresh and new.”

Tim Horner
“...one of the most soulful people I know...For these ears, this is a beautiful story that bears repeated listening.”

Trio East
“Each brings a singular skill and presence...”

Sarah Partridge
“Partridge's voice suggests Anita O'Day with her bedrock swing propelling scat improvisations.”

Jonas Tauber
“...a jaw-dropping night of improvised beauty...superb!”

Kim Richmond Concert Jazz Orchestra
“Nominated for 2003 Grammy Award!”

Upper Left Trio
“Upper Left Trio can boast being one of the more articulate and thoughtful new trios to emerge in the mainstream in the 21st century.”

Gregg Keplinger
“Keplinger, power personified, is captured here as never before. Better known as a guru, collector, designer, and purveyor of drums and cymbals than for his rare public performances, his fearless playing perfectly offsets Mandyck. He can be torrential, densely polyrhythmic, or the most challenging of accompanists. What he can't do is be the self-effacing routinier. Together, these two iconoclastic virtuosi open new territory, revealing a stormy, eerily beautiful musical world where they and their listeners seem remarkably at home.”

Scott Neumann
“(Neumann) seems to explode with the joy of playing, but never neglects the solid foundation.”

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