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Origin Records Catalog | OA2 Records Catalog


Piet Verbist Zygomatik
ORIGIN 82679

Jim Norton Collective
ORIGIN 82678

David Friesen Circle 3 Trio
ORIGIN 82677

The Spin Quartet
ORIGIN 82676

Brad Goode
ORIGIN 82675

Clarence Penn
ORIGIN 82674

Ryan Shultz
ORIGIN 82673

Thomas Marriott
ORIGIN 82672

Jerry Heldman
ORIGIN 82671

Hal Galper
ORIGIN 82670

Chris Walden Big Band
ORIGIN 82669

Dee Daniels
ORIGIN 82668

Bobby Broom
ORIGIN 82667

Laurie Antonioli
ORIGIN 82666

Collier & Dean
ORIGIN 82665

Todd Bishop
ORIGIN 82664

Anthony Branker and Word Play
ORIGIN 82663

Peter Lerner
ORIGIN 82662

Bobby Selvaggio
ORIGIN 82661

Jessica Williams
ORIGIN 82660

Dominic J. Marshall
ORIGIN 82659

Scenes
ORIGIN 82657

Brian Gephart
ORIGIN 82656

John Stowell and Dave Liebman
ORIGIN 82655

George Colligan
ORIGIN 82654

Jon Hamar
ORIGIN 82653

Aaron Germain
ORIGIN 82652

Dave Slonaker Big Band
ORIGIN 82651

Tim Horner
ORIGIN 82650

Ted Brancato
ORIGIN 82649

Chicago Jazz Orchestra with Cyrille Aimee
ORIGIN 82648

Anne Drummond
ORIGIN 82647

Clark Sommers
ORIGIN 82646

Scott Neumann Neu3 Trio
ORIGIN 82645

Les DeMerle
ORIGIN 82644

Top Viewed Recordings

DISCOVER AN ORIGIN ARTIST:

Jonas Tauber
“...a jaw-dropping night of improvised beauty...superb!”

Rashied Ali
“July 1st, 1935 - August 12th, 2009”

Scenes
“Considerably absorbing... their rapport has reached an enviable tightness. Dynamically astute and rhythmically sensitive, this is very satisfying music, the kind of interactive Jazz that doesn't hit you over the head as much as insinuate itself into your consciousness.”

Clay Giberson
“Giberson's previous solo album, Mirador, was a strong straight-ahead set. Here though, he fashions a more contemporary sound that has the intelligence, lyricism, depth and accessibility to appeal to fans of, say Pat Metheny.”

Kelly Sill
“... oceanic tone [that] carries on a Chicago bass tradition that starts with Milt Hinton and runs through such artists as Wilbur Ware and Rufus Reid...”

Jeff Campbell
“Campbell is a strong player with a classic upright sound, great intonation, and chops to spare.”

Phil Kelly / NW Prevailing Winds
“Convergence Zone adds a much needed upgrade to what the jazz orchestras are dealing with today.”

Wellstone Conspiracy
“...a great rapport these artists have developed over the years...their lines merge and unwind with endless invention.”

Alex Graham
“Some of the great alto players, Charlie Parker, Cannonball Adderley, Phil Woods and even a touch of Johnny Hodges can be discerned as he works to extend the parameters of the horn...”

Cuong Vu
“Listeners coming from jazz won't feel lost. Plenty of the genre's current obsessions are here: odd-meter rhythm patterns, slow soloing over fast rhythms (vice versa too), and a kind of bucolic lyricism'the point of Mr. Vu's music, at its best, is just that: to make you feel lost in it.”

Geof Bradfield
“Geof Bradfield's writing is a revelation. Not only does it have much the same power and precision of his soloing; it also shows a highly refined use of the limited instrumentation, which allows him to create orchestral textures from just his sextet.”

Don Sickler
“Knowing Don Sickler's pedigree, skilled arranger for various and sundry tasty delights from the Tadd Dameron rep unit Dameronia to T.S. MonkÖ”

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