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Origin Records Catalog | OA2 Records Catalog


Tom Collier
ORIGIN 82691

Michael Waldrop Big Band
ORIGIN 82690

Sarah Partridge
ORIGIN 82689

Lucas Pino
ORIGIN 82688

Josh Nelson
ORIGIN 82687

Scott Hesse
ORIGIN 82686

The H2 Big Band
ORIGIN 82685

John Stowell | Michael Zilber
ORIGIN 82684

Chad McCullough & Bram Weijters
ORIGIN 82683

Gene Argel
ORIGIN 82682

George Colligan & Theoretical Planets
ORIGIN 82681

Piet Verbist Zygomatik
ORIGIN 82679

Jim Norton Collective
ORIGIN 82678

David Friesen Circle 3 Trio
ORIGIN 82677

The Spin Quartet
ORIGIN 82676

Brad Goode
ORIGIN 82675

Clarence Penn
ORIGIN 82674

Ryan Shultz
ORIGIN 82673

Thomas Marriott
ORIGIN 82672

Jerry Heldman
ORIGIN 82671

Hal Galper
ORIGIN 82670

Chris Walden Big Band
ORIGIN 82669

Dee Daniels
ORIGIN 82668

Bobby Broom
ORIGIN 82667

Laurie Antonioli
ORIGIN 82666

Collier & Dean
ORIGIN 82665

Todd Bishop
ORIGIN 82664

Anthony Branker and Word Play
ORIGIN 82663

Peter Lerner
ORIGIN 82662

Bobby Selvaggio
ORIGIN 82661

Jessica Williams
ORIGIN 82660

Dominic J. Marshall
ORIGIN 82659

Scenes
ORIGIN 82657

Brian Gephart
ORIGIN 82656

Top Viewed Recordings

DISCOVER AN ORIGIN ARTIST:

John Stowell
“John Stowell plays jazz, but he doesn't use any of the cliches; he has an incredible originality. John is a master creator.”

Scenes
“Considerably absorbing... their rapport has reached an enviable tightness. Dynamically astute and rhythmically sensitive, this is very satisfying music, the kind of interactive Jazz that doesn't hit you over the head as much as insinuate itself into your consciousness.”

David Friesen
“Once in a great while, a musician emerges with such authority and such seemingly effortless originality that his place in the front ranks of his instrument is unquestioned. So it is with David Friesen.”

Joel Miller
“His solos are supremely melodic - think of Stan Getz, or of John Coltrane at his most wistful”

Bobby Porcelli
“...a longtime Latin jazzman who has worked with Tito Puente and others in that world, yet he can turn around and play first rate unhyphenated jazz.”

Richard Cole
“Cole shows he is still in the vanguard of hard-blowing, progressive tenors...”

Diego Barber
“Barber approaches the guitar with precision and fluidity - and with great sensitivity....He's adept at coaxing melodies embedded with an air of mystery and mischief.”

Gregg Keplinger
“Keplinger, power personified, is captured here as never before. Better known as a guru, collector, designer, and purveyor of drums and cymbals than for his rare public performances, his fearless playing perfectly offsets Mandyck. He can be torrential, densely polyrhythmic, or the most challenging of accompanists. What he can't do is be the self-effacing routinier. Together, these two iconoclastic virtuosi open new territory, revealing a stormy, eerily beautiful musical world where they and their listeners seem remarkably at home.”

Rashied Ali
“July 1st, 1935 - August 12th, 2009”

Gary Hobbs
“Hobbs is a crisp and agile drummer.”

Bryan Doherty
“[Doherty] bends the bass into something rarely heard, but entirely worth the price of admission.”

Pax Wallace
“There is a sense of expansion and introspection, as if contemplating simultaneously a myriad of forgotten places, faces and sounds. Like a dream, one's never quite sure where it will lead....Let me suggest your nearest jazz record store.”

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