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Origin Records Catalog | OA2 Records Catalog


Lorin Cohen
ORIGIN 82693

Hugo Fernandez
ORIGIN 82692

Tom Collier
ORIGIN 82691

Michael Waldrop Big Band
ORIGIN 82690

Sarah Partridge
ORIGIN 82689

Lucas Pino
ORIGIN 82688

Josh Nelson
ORIGIN 82687

Scott Hesse
ORIGIN 82686

The H2 Big Band
ORIGIN 82685

John Stowell | Michael Zilber
ORIGIN 82684

Chad McCullough & Bram Weijters
ORIGIN 82683

Gene Argel
ORIGIN 82682

George Colligan & Theoretical Planets
ORIGIN 82681

Piet Verbist Zygomatik
ORIGIN 82679

Jim Norton Collective
ORIGIN 82678

David Friesen Circle 3 Trio
ORIGIN 82677

The Spin Quartet
ORIGIN 82676

Brad Goode
ORIGIN 82675

Clarence Penn
ORIGIN 82674

Ryan Shultz
ORIGIN 82673

Thomas Marriott
ORIGIN 82672

Jerry Heldman
ORIGIN 82671

Hal Galper
ORIGIN 82670

Chris Walden Big Band
ORIGIN 82669

Dee Daniels
ORIGIN 82668

Bobby Broom
ORIGIN 82667

Laurie Antonioli
ORIGIN 82666

Collier & Dean
ORIGIN 82665

Todd Bishop
ORIGIN 82664

Anthony Branker and Word Play
ORIGIN 82663

Peter Lerner
ORIGIN 82662

Bobby Selvaggio
ORIGIN 82661

Jessica Williams
ORIGIN 82660

Dominic J. Marshall
ORIGIN 82659

Top Viewed Recordings

DISCOVER AN ORIGIN ARTIST:

Cuong Vu
“Listeners coming from jazz won't feel lost. Plenty of the genre's current obsessions are here: odd-meter rhythm patterns, slow soloing over fast rhythms (vice versa too), and a kind of bucolic lyricism'the point of Mr. Vu's music, at its best, is just that: to make you feel lost in it.”

Les DeMerle
“Infinitely adaptable, DeMerle's power and rhythmic elasticity underlines his bold presence and command of modern jazz drumming.”

Scenes
“Considerably absorbing... their rapport has reached an enviable tightness. Dynamically astute and rhythmically sensitive, this is very satisfying music, the kind of interactive Jazz that doesn't hit you over the head as much as insinuate itself into your consciousness.”

Hal Galper
“Hal Galper excels in his highly dramatic improvisations as a soloist... He plays wild capers; sudden flashes of brilliance tumbling over each other temperamentally, individual phrases sparkle effortlessly away; he changes with suspensefully loaded chord sequences, capricious, whimsical arabesques, tempo changes, pauses and stormy runs that suddenly descend over the music.”

Kelly Harland
“When you hear Kelly Harland sing, it's apparent that she is in possession of an extraordinary gift. Her sensuous and compelling voice will inspire you to listen to it over and over; it will cause your heart to sing. This CD is indisputable proof that Kelly is a diva among jazz vocalists. Listen to the contents herein and you, too, will fall in love.”

Hans Fahling
“An evocative sequence of musical interpretations drawn from Patrick Haskett's paintings, half recorded in Germany, the other half in Seattle(with local musicians). Fahling's trans-traditionalist approach to the guitar runs the gamut from Mundell Lowe to Bill Frisell.”

Brian Gephart
“...one of the more personal sounds. A bluntly assertive soloist, he builds on the styles of Joe Henderson and Sonny Rollins in staying close to the ground, harmonically, and Von Freeman in his ever-present threat to torch mainstream convention.”

Kim Richmond
“Nominated for 2003 Grammy Award!”

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