Browse some recent Origin Reviews.
Amit Friedman - Unconditional Love
by Yotam Ziv, Columbus Music Magazine (Israel)
Apparently, the first one to steer and use the combination of the words ′′ the whole is bigger than all its parts ′′ was Aristotle. This phrase has many interpretations in different fields, but in my eyes, this is the essence of a good jazz composition. Mostly because creative and inspiring musicians make their friends sound better.
A week ago I received the new (yes, really a disc) of the saxophonist and composer Amit Friedman,... read more
Jared Hall - Seen on the Scene
by Chris Spector, Midwest Record
Sometimes you just don't need anything more than a driving leader and a bunch of like minded jazzbos that brought their chops to make sure a good time is had by all. A real dynamo trumpeter, Hall leads with a sure handed lip guiding a cast of characters that doesn't need to be told what to do. You don't even need a libation to go with this because you won't want to miss a note. One solidly swinging good... read more
Clarence Penn - Monk: The Lost Files
by C. Michael Bailey, All About Jazz
5-STARS A well-established creative paradigm exists to justify Clarence Penn & Penn Station's recording Monk: The Lost Files. "Classical" music is often considered that music, composed long ago, that has stood the test of time, remaining viable to the public in recordings and live performance. These composers of this music tend to be Europeans from the last Millennium. It is the only logical jump to include American jazz... read more
Chad McCullough & Bram Weijters - Abstract Quantities
by Chris Spector, Midwest Record
It's kind of funny to think in these terms but this crew has been around so long that emusic used to sing their praises. I mean it's funny to think that's so long ago but nanoseconds count in particle world. But the music? Emusic was right then and if they were still around, they'd be right today. This bunch continues to grow, thrive and feed off each others vibes and energy in fine style. Playing with the spirit of a crew like... read more
Florian Hoefner - Luminosity
by Ken Micallef, New York Jazz Record
On what basis do we judge and review jazz records? Is it on performance, skill, composition and production? Or should our criteria be more emotional? Does it elicit sadness, excitement? Do I get lost in the music and simply float along on its rhythm, pace, melody and movement? Florian Hoefner's Luminosity made me ask myself these questions, as it addresses all these criteria at once, a rare feat.
Hoefner's tunes are seamlessly intertwined,... read more
Metropolitan Jazz Octet - The Bowie Project
by Jeff Cebulski, Chicago Jazz Magazine
Like so many others, I was bummed when the artistically mercurial David Bowie died seven years ago. While I was not too familiar with his expansive oeuvre, I had been attracted to many performances, especially from the 1980's on. His theatricality and attention to production were so professional that I could tolerate his varying personae in appreciation of the Artist.
But much of his music escaped me. That's why I was inspired to learn more... read more
David Friesen with Orchestra and Quartet - Testimony
by Chris Spector, Midwest Record
Like a European jazzbo that just burnishes deeper with age, Friesen tucks 50 years of bass acery under his belt and heads off to Ukraine to visit his ancestor's stomping ground. Of course, along the way, he hooks up with some Ukraine musos and delivers the kind of state of the art performance that defies almost everything. A highly creative instrumental work, he takes it to places heretofore unexpected and delivers a tour de force that could... read more
Hadley Caliman | Pete Christlieb - Reunion
by Jeff Krow, Audiophile Audition
After reviewing both of Hadley Caliman's previous two Origin Records releases, Gratitude and Straight Ahead, I felt that Hadley had many bright moments ahead of him. He had retired from teaching at Cornish College after 22 years of teaching, and was enjoying playing in Seattle, leading a small group as well as playing with the Seattle Repertory Jazz Orchestra.
Gratitude was recorded in 2008, and Straight Ahead... read more
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