...real playing by real pros taking the trio format exactly where you want it to be...
"MLK" is an acronym for this superlative trio of Chicago bassist Marlene Rosenberg, drummer Lewis Nash and pianist Kenny Barron and of course, iconically for the great American moral and spiritual leader Martin Luther King, Jr. Balancing the thought of these musicians being people of different colors, heritages, sexes and generations, coming together in great joy and purpose, with recent headlines highlighting a renewed environment of permissible hate, blame and lack of tolerance, was at the forefront as Marlene shaped this program. The music and activism of the '60s provided an inspiration for many of the original compositions, while the current social conditions added an urgency. Her relationships with Kenny and Lewis going back decades contributes the warmth, love and camaraderie that envelops the proceedings, bringing to mind Stevie Wonder's lyric from the closing track, "Loves in Need of Love Today / Don't delay / Send yours in right away."
1 American Violet 5:14
2 Togetherness 4:29
3 Not The Song I Wanna Sing 7:36
4 The Line Between 5:40
5 Rain 5:48
6 The Barron 4:57
7 Circle Story 5:28
8 Visions 5:49
9 And Still We Rise 4:42
10 Loves In Need of Love Today 3:45
(1,2,4,6,7,9) by Marlene Rosenberg, RedBark Music (BMI)
(3) by Marlene Rosenberg, RedBark Music (BMI), Tom Burrell, Burrtom Pub. (ASCAP),
Robert Irving III, Vitasia (BMI)
(5) by Kenny Barron, Wazuri Publishing Co.
(8, 10) by Stevie Wonder, Blackbull Music/Jobete Music Co. Inc/Sony/ATV Music
Kenny Barron - Piano
Marlene Rosenberg - Bass, vocal (3)
Lewis Nash - Drums
Christian McBride - Bass (3,9)
Thomas Burrell - vocal (3)
Robert Irving III - vocal (3)
Christian McBride appears courtesy
of Brother Mister Productions and
Mack Avenue Records
Produced by Marlene Rosenberg
Co-producers: Christian McBride & Robert Irving III
Recorded & Mixed by David Stoller at Samurai Hotel Recording Studio, Astoria, NY
Recorded on November 29, 2016, mixed on March 23, 2019
Mastered by Dan Dean at Dan Dean Productions, Mercer Island, WA
Cover photograph by Stan Lee
Other photography by Stan Lee & Marlene Rosenberg
Studio photo by David Stoller at Samurai Hotel Recording Studio
Cover design & layout by John Bishop
Midwest Record (Chris Spector)
C'mon, albums like this write their own reviews. Rosenberg surrounded by Kenny Barron and Lewis Nash with Chris McBride and Robert Irving lurking in the background? What else is there to say? With music informed by years of knowing each other and living now in unsettling times akin to the good old civil rights days, this is a bridge date that li ...
Downbeat (Dave Cantor)
EDITOR'S PICKS, July 2019 If you don't know bassist Marlene Rosenberg from her work with Paul Wertico or Ed Thigpen, OK. But she's gigged with a virtual murderers' row of players and had Makaya McCraven in her group before most folks had heard the drummer's name. Origin label honcho and drummer John Bishop had been paying attention, though. ...
All About Jazz (Dan Bilawsky)
4-STARS There's MLK, and then there's MLK. In this particular context we're talking about a three-letter acronym referencing the musical union of bassist Marlene Rosenberg, drummer Lewis Nash, and pianist Kenny Barron. And in broader terms those initials obviously point to the late Martin Luther King, Jr. With MLK Convergence the sounds of the for ...
Jazz Weekly (George W Harris)
No, this is not a tribute to the legacy of Martin Luther King, but instead the MLK monicker refers to the first letter of the names of bassist/leader Marlene Rosenberg, drummer Lewis Nash and pianist Kenny Barron. You can also throw in Christian McBride for a couple cameos, as he bows on the hip blues "And Still We Rise" and digs a deep pulse for ...
JazzHalo (Belgium) (Georges Tonla Briquet)
The CD title is not only a direct reference to Martin Luther King but also to the mixed cultural background of the group members. So a statement like jazz in the sixties. The effect may not be as extreme as that of her great examples from that period, due to the solid composition of her own compositions, the two well-chosen covers from Stevie Wonde ...