Origin Records Reviews



Darrell Grant - Truth And Reconciliation
by Bill Barton, Coda

Pianist-composer Darrell Grant has assembled an impressive group here. The core trio has John Patitucci on bass and Brian Blade on drums. Also appearing are guitarists Bill Frisell and Adam Rogers, vibraphonist Joe Locke and saxophonist Steve Wilson. Grant's Truth and Reconciliation Project "was inspired by my own search for artistic truth, the struggle for justice and healing in South Africa, and the birth of my son," as he states on his... read more

Bryan Doherty - Rigamarole
by Adam Greenberg, All Music Guide

Bassist Bryan Doherty's debut album opens with a bass groove vaguely reminiscent of something Jaco Pastorius might have done in Weather Report. Over the top of this, what sounds like a couple of horns (though there's only one sax player) lay out a thick melodic line that eventually moves into a groove. This is the pattern for much of the album -- grooves that build to full compositions that devolve back into grooves. In "No Mode," the bass riffs... read more

Laurie Antonioli - The Constant Passage of time
by Dr. Debra Jan Bibel, Amazon

5-STARS After her previous album honoring the music of Joni Mitchell [Songs of Shadow, Songs of Light], mezzo-soprano Laurie Antonioli includes three more songs of Joni Mitchell in her new album, which also features Sheryl Crow's Riverwide and Neil Young's Don't Let It Bring You Down. The track Layla is not Eric Clapton's song but Antonioli's title and lyrics to a tune [Bee] by another guitarist, Nguyên Lê (Layla is the name of her new... read more

Charlie Ballantine - East by Midwest
by Thierry De Clemensat, Paris Move

Charlie Ballantine is a guitarist whose instrumental finesse may well call to mind the delicate touch of Chet Atkins. In this album, he offers a jazz/picking blend, steeped in the lingering echoes of Wes Montgomery and Freddie Hubbard that still seem to float in the city's air. Since relocating to the East Coast a few years ago, the change in scenery, the new collaborators, and the vibrant atmosphere have infused his music with a fresh dynamic;... read more

Ben Paterson - For Once In My Life
by Thomas Conrad, JazzTimes

The jazz audience contains people, present company not necessarily excepted, who are resistant to the charms of the Hammond B-3. They find it a somewhat vulgar instrument, with unpleasant, artificial sonorities. They all need to meet Ben Paterson. He may be the most purely musical organist out there. He is not into shrieking and raising hell. He is not about sweat and grease. His virtues are ones not normally associated with the B-3, such as... read more

Amit Friedman - Unconditional Love
by JEAN-CLAUDE VANTROYEN, Le Soir (Belgium)

A jazz of today which swings, which grooves, with enthusiasm and who does not ask too many questions. In quartet with Tom Oren at the piano, Gilad Abro on double bass and Yonatan Rosen on drums, plus an oud, a singer and a singer for two pieces. Everything is from Friedman's pen, except "Junk" by Paul McCartney. And if it is sometimes nostalgic, with the memory of his father, who died in 2017, to whom the album is dedicated, the album is marked... read more

Sean Michael Giddings - Red Willow
by Robert Rusch, Papatamus / Cadence

RED WILLOW is the first recording from North Texas State One O'clock Band alumni SEAN MICHAEL GIDDINGS [p]. Recorded in 2021, the dozen original compositions feature Sam Pankey [b] and Daniel Dufour [drm]. There are many deviations in Giddings' playing and composing. Perhaps the most consistent influence is Vince Guaraldi and Johnny Costa [piano man for Mr. Rogers' TV show]. Some of the tracks add coloring from clavier, harmonium, and orchestral... read more

Les DeMerle - Feelin' Good
by Chris Spector, Midwest Record

A while back, we met a couple that played jazz on cruise ships and it changed our opinion, moving our head away from the usual Sammy Joey jive ass bulls*** you all too often find in those situations. This cruise ship jazz crew kicks it off with a snazzy version of "Speak Low" that not only sends you off into a good time mood, it'll also change your opinion about who will be entertaining you in captive situations. Hell, even George Wein got... read more

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