There is an old interview with Luciano Pavarotti where he compares preparing his voice and lungs for a performance to a Ferrari just before a race - just the right blend of air and energy must be harnessed for the performance to reach its apex, for the car to win the race. I would argue that, in the case of race car drivers, Pavarotti and all great singers, soul is a third critical component, and that Carrie Wicks vocal performance on "Maybe"... read more
4-STARS The singer Karen Marguth, who lives in California, discovered her love of jazz in the early 2000s. Since then, she has been active in the scene as a coach, teacher and singer. On her new album "Until", she interprets songs by Sting, Paul Simon and Joni Mitchell with confidence and great clarity. The opening track "Comes Love" already reveals the full range of her incredibly variable voice. Accompanied by three different... read more
Headed up unobtrusively by pianist Andrew Oliver, the Kora Band is an experiment in compositional fusion. Incorporating the sounds of West African music into modern jazz isn't entirely unheard of, with Toumani Diabat� bridging some of the gaps over the years in his collaborations. Nonetheless, this is a different beast. The focus here is on the jazz, a relatively light and airy version of it, with the kora (provided outstandingly by Kane Mathis)... read more
The Seattle jazz scene is vibrant and open-minded, with artists ranging from Thomas Marriott and Cuong Vu to The Zubatto Syndicate and Jeff Johnson. A new and up-and-coming Seattle jazz musician is the forward-thinking pianist Rich Pellegrin, whose debut release as a leader, Three-Part Odyssey, combines complex and dense structures, cyclical minimalism, avant-garde interludes and orderly post-bop jazz.
In his liner notes, Pellegrin... read more
Tucker Antell knows how to make an entrance. The two-minute solo stand that opens Grime Scene finds his stentorian saxophone blowing brusque and fluid across a wide swath. It plays like a strong man's lament-cum-catharsis, but what follows on the same track is something else: a bluesy shuffle with foot tap-inducing properties. This marks the first of many welcome surprises on this pleasing debut.
While the pairing of tenor saxophone and... read more
Flugelhornist Mark Buselli and pianist Claude Sifferlen's album, Take the Mitsu, (the title, a play on the surname of Sifferlen's favorite 20th-century composer, Toru Takemitsu), is deliciously exquisite, bringing to mind similarly appealing duo recordings of Ornette Coleman and Charlie Haden (Soapsuds, Soapsuds), Arthur Blythe and David Eyges (Today's Blues), Walter Norris and George Mraz or Aladar Pegge (Drifting), and Denny Zeitlin with David... read more
Saxophonist and composer Gregory Dudzienski is Chicago's most eloquent proponent of the mid-20th century jazz sound. His lean and elegant compositions, warm and soulful tone, and expressive playing mark his work that is rooted in tradition yet refreshingly modern. The seven originals on Beautiful Moments are no exception.
The swaggering vamps of the opener, "Dexter's Laboratory," set the mood for the entire album. Dudzienski embellishes the... read more
Whenever a new genre manifests itself, the occasion is significant. In the person of Nelda Swiggett, we have what can be accurately labeled "Polite Jazz." There's no better way to describe her approach to the keyboard, or her vocalizing, or her writing. Labels aside, this third album by Swiggett, as a leader, is a stunning project, put together by three imaginative swingers -- pianist Swiggett; bassist Chris Symer; and drummer Byron Vannoy --... read more
This is just a small collection of the OA2 Records reviews. Click here to view all reviews or try to Search for your favorite CD title.
Kate Olson - So It Goes
by Dave Segal, The Stranger
Randy Napoleon - Waking Dream
by Jack Bowers, All About Jazz
Premazzi / Nasser Quartet - From What I Recall
by Jason Gross, The New York City Jazz Record
Kelsey Mines - Everything Sacred, Nothing Serious
by Andrew Schinder, The New York City Jazz Record
Anna Kolchina - Reach for Tomorrow
by Dee Dee McNeil, Making A Scene
Anna Kolchina - Reach for Tomorrow
by George W Harris, Jazz Weekly
Lisanne Lyons - May I Come In
by George W Harris, Jazz Weekly
Anna Kolchina - Reach for Tomorrow
by Editor, Bman's Blues Report
Peter Lin | AAPI Jazz Collective - Identity
by Tom Haugen, Take Effect
Gil Livni - All In
by Bill Milkowski, DownBeat Magazine