OA2 Records Reviews



Idit Shner - Tuesday's Blues
by Matt Cibula, e.music.com

Listen to this debut album from Israeli saxophonist Idit Shner and one thing leaps out at you: the muscularity. Shner's tone is strong and confident, whether she is stating a melody or busting out alone. On "Yellow Moon," the opener, her solo is more of an announcement ?I HAVE ARRIVED! ?recalling prime Michael Brecker or Maceo Parker. The impression is helped by the rest of her take-no-prisoners quartet; Steve Pruitt whacks the hell out of those... read more

Libby York - DreamLand
by Tom Haugen, Take Effect

The inimitable vocalist Libby York is in fine company here, where Randy Napoleon, Rodney Whitaker and Keith Hall accompany her across these selections of old and new jazz that are delivered with a timeless warmth and intimacy.

"Hit The Road To Dreamland" opens the listen with precise bass plucking from Whitaker, as York's expressive voice unfolds with a charming, cozy appeal, and "Estrada Branca (This Happy Madness)" follows with Napoleon's... read more

Ezra Weiss Big Band - We Limit Not the Truth of God
by Jack Bowers, All About Jazz

Composer / arranger Ezra Weiss's debut big-band recording, We Limit Not the Truth of God, is actually a suite written for his two young children to help them understand and embrace the often confusing and chaotic world in which we live. It is thus entirely appropriate that the album was recorded (with an audience) in a church, Portland (OR)'s historic Alberta Abbey. What is not quite clear is the referent "we" in the album's presumptuous title.... read more

Nelda Swiggett - Blue-Eyed Painted Lady
by Dave Sumner, emusic

Gorgeous jazz-with-strings recording by pianist & vocalist Swiggett, who offers a set of tunes with a warm electricity and a fluidity of motion that just carries the listener along. Along with her standing trio of drummer Byron Vannoy and bassist Chris Symer, Swiggett recruited a cellist and violist from the Seattle Symphony, and that pairing results in some beautiful melodies getting lofted up to a high plateau via the additional harmonic... read more

Carolyn Graye with Jessica Williams - Songs
by Ben Ohmart, Muses Muse

The simple, unadorned title fits the contents. This is just an album of Carolyn Graye singing against Jessica Williams' romantic, hardly flashy piano. A real piano. It is night and nightclub jazz for those of us who really Dig this kind of naked, sweet, cool, old-fashioned style.



It is a truly beautiful release, from a truly beautiful jazz label. OriginArts. I've sung the praises on these guys before myself. They are the best of the... read more

Svetlana and the Delancey Five - Night at the Speakeasy
by Jack Goodstein, Blogcritics.org

If Night at the Speakeasy, the title of the debut album of Svetlana & The Delancey Five, raises visions of the music of a time long gone, there is truth in advertising. Russian-born vocalist Svetlana Shmulyian fronts an ensemble of jazz pros in a hot jazz and swing program of songs old and new, originals, and covers. Hot jazz, as Will Friedwald explains in his extensive liner notes, is experiencing something of a strong revival over a century... read more

Paul Tynan & Aaron Lington - Bicoastal Collective: Chapter Three
by Dave Sumner, emusic.com

Third recording for Paul Tynan and Aaron Lington�s Bicoastal Collective. In addition to Tynan�s trumpet and Lington�s bari sax, Dan Murphy is on Rhodes, Corey Christiansen on guitar, Ashley Summers on bass, and Jon Deitemyer on drums. More straight-ahead than prior recordings, this is more of a lay-back-and-play type of session. Freewheeling solos and crisp rhythm sections represent this album�s heart. A solid recording from solid... read more

Jun Iida - Evergreen
by John Arnett, London Jazz

"Evergreen" is the debut album of US trumpeter and flugelhorn player Jun Iida. The album was recorded in Los Angeles where he lived for five years, before recently moving to New York. Six of the ten compositions are his own originals, but all are reflective of both his Japanese heritage and his command and fluency in jazz composition and stylings, the two worlds being complementary and mutually enriching on this showing.

Several distinctive... read more

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