Origin Records Reviews



Martin Budde - Back Burner
by Ferdinand Dupuis-Panther, Jazz'halo (Belgium)

Let's read what Origin Records has to say about Martin Budde: "... Seattle guitarist Martin Budde steers his trio through a collection of mostly original compositions on his f'rst Origin recording. Thoroughly rooted in the fluid, modern jazz guitar sounds of the last 50 years, ... Drummer Xavier Lecouturier and bassist Ben Feldman are his longtime collaborators in the more densely eclectic modern jazz sextet Meridian Odyssey, and here they... read more

Richard Sussman - Live at Sweet Rhythm
by Ken Watkins, 100 Greatest Jazz Albums

Back in 1978 Richard Sussman led a quintet that produced the much-admired album 'Free Fall'. Twenty-five years later the group reformed at the Sweet Rhythm for this live performance. The band - Richard Sussman (piano), Tom Harrell (trumpet), Jerry Bergonzi (tenor sax), Mike Richmond (bass), Jeff Williams (drums) - was carefully put together, as Richard Sussman explains:

'The first jazz that really turned me on was the quintet and sextet... read more

Paul Ricci - The Path
by Editor, Modern Drummer

There are a very few drummers whose inclusion will make me pick up a recording, Steve Jordan is one of them. The fact the Jordan, Anthony Jackson, and Manolo Badrena (three fourths of Steve Khan's famed Eyewitness band) play together on three tracks of this record make it instantly appealing to me. Throw in a tune featuring one-time Fela drummer Jojo Kuo, and one tune with Brazilian drummer Jurim Moreira, and you have an attractive rhythmic... read more

Scott Reeves - Portraits and Places
by Travis Rogers, Jr., JazzTimes

Scott Reeves has written and recorded for the hottest big bands and has taught at the finest Jazz schools including Julliard and, currently, at the City University of New York (CUNY). His textbooks on Jazz improvisation are required reading everywhere. After assembling his own 16-piece Big Band in 2008, he has finally released his debut album, Portraits and Places (Origin 82710).

The album features seven Reeves original compositions in... read more

Jeff Johnson - My Heart
by Georges Tonla Briquet, Jazz'halo (Belgium)

Lost Recordings.... A "live" recording dating back to December 4, 1991 when tenor saxophonist John Gross, pianist Art Resnick, drummer Billy Mintz and bassist Jeff Johnson got to work together at Falcon Studios in Portland, Oregon.

On the program all compositions by Johnson ranging from razor-sharp bop with solos by the four musicians ('Linden Station') to ballads with jagged corners ('Leviathan'), mid-tempo swing... read more

Rodney Whitaker - All Too Soon: The Music of Duke Ellington
by Charles L. Latimer, I Dig Jazz

If you attend a Rodney Whitaker concert, bank on getting a history lesson on whatever jazz music the bassist's group performs, and as a bonus some comic relief. For 25 years, he's taught jazz at Michigan State University. No surprise, he uses the bandstand to educate audiences, and his kidding them before introducing tunes is a piece of his musical personality. He's quick to jokingly warn an audience of his plans to pursue standup comedy when... read more

David Friesen Circle 3 Trio - Interaction
by Fred Grand, Jazz Journal (London)

I don't think it would be unkind to describe 77-year old David Friesen as an under-sung giant of the post-bop era. Adding his considerable musical muscle to several classics in waiting from the 70s by Joe Henderson, Billy Harper and Kenny Drew, he went on to tour with Sam Rivers, Paul Horn, Stan Getz and Dannie Richmond amongst others. With the help of John Stowell and Paul McCandless he was a prime mover in a gentler and more folk-inflected... read more

John Stowell / Michael Zilber - Basement Blues
by Chris Spector, Midwest Record

With a sound reminiscent of how it was with Oregon when they were transitioning from Elektra to ECM, this crew has the modern sweet spot well in hand where many things merge into a sound at once familiar but thoroughly it's own. A real treat for those that still remember how it was when you could make music in the marketplace that wasn't required to swing for the fences under a pile of notes. Hey, we know there's always been meddling executive... read more

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