Browse some recent Origin Reviews.
Jonas Tauber with William Thomas, Doug Haning - Prime Numbers
by Adam Greenburg, All Music Guide
From classically trained but forward-thinking bassist Jonas Tauber comes this album of free jazz recorded live at the Jazz de Opus club in Portland. Accompanying him are drummer William Thomas and pianist Doug Haning. Here, the trio performs a good deal of spontaneous improvisation, delving deeply into the free jazz ideals on the fly. The only thing tying the trio down is a mysterious clinging to a centering around prime numbers as the basis for... read more
Scenes - ...But Not Heard
by George W. Harris, Jazz Weekly
The trio Scenes consists of John Stowell/g, Jeff Johnson/b and John Bishop/dr, who are joined by the sax and flute of Hans Teuber for a collection of subtly swinging originals. Tunes such as "C Minor Waltz" and the bluesy "Nanti Glow" have Teuber's tenor softly blowing on the gently flowing melodies, while the more kinetic fast spotlights deft interplay between Stowell and Johnson. Bishop's rumbling drums serve as a rich underflow for... read more
Jessica Williams - The Art of the Piano
by John Sunier, Audiophile Audition
A fine environment - psychologically and acoustically - allows Williams to make one of her finest recordings yet. 5*****
Such a title might seem excessively self-promotional with most other jazz pianists on the scene today, but not so with Jessica Williams. She's one of the nation's musical treasures and one of the most distinctively original jazz pianists to be heard anywhere. This is her third CD for Origin, recorded live at... read more
John Stowell and Dave Liebman - Blue Rose
by Philip Booth, Jazziz
On the title track to Blue Rose, the first full-length collaboration between saxophonist Dave Liebman and guitarist John Stowell, Liebman supplies the lilting melody of the ballad Duke Ellington wrote for Rosemary Clooney. Meanwhile, Lieb's longtime friend and associate offers warmly hued chords and fills. The reedman's full-throated tone on soprano is at once earthy and sublime. Hie and Stowell connect intuitively. Sometimes they move... read more
Dave Slonaker Big Band - Intrada
by Jack Bowers, All About Jazz
Don't be put off by the name. Intrada, composer / arranger Dave Slonaker points out, is "a musical form often composed as a prelude, overture or fanfare," one whose upbeat phrases give rise to an exhilarating curtain-raiser on Slonaker's initial big-band recording. Rest assured this is a world-class ensemble and there's no doubt whose steady hand is at the helm: Slonaker wrote every number save the standard "It's Only a Paper Moon" and... read more
Dick Reynolds - Music & Friends
by George Fendel, Jazz Society of Oregon
The liner notes indicate that Reynolds has spent much of an honorable music career as a do-everything musician in Chicago. All well conceived work, to be sure, but I have this notion of having seen his name on scores of albums by quality pop and sometimes jazz singers "back in the day." The "friends" referred to in the title are both the talented players on the album and the recipients of several tributes. Among these are a few to personal... read more
Jaiman Crunk - Encounters
by Chris Spector, Midwest Record
Reminiscent of the kind of grand sitting down jazz date you'd get when someone would write someone like Michel LeGrand or Michel Columbier a check big enough to realize a grand vision, this new kid on the block has everyone in jazz turn out to lend a hand. Maybe not everyone but if you look at the credit list, it does go on forever and it's all made up of pros from the different sub phyla of jazz---all coming together and making it work. A... read more
Bobby Broom - Upper West Side Story
by Jon Ross, Downbeat Magazine
**** 4-Stars
Starting with the very first notes of "D's Blues"--a languid but powerful riff atop busy drums and droning bass--Bobby Broom bleeds simple, unadulterated blues from his guitar. He keeps it up, with a quiet intensity, for the rest of Upper West Side Story.
His use of clean, pure guitar sound gives his chords a bit of jangle, which provides an added depth to his comping and his chordal solos. He's not an... read more
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