On Songs For A New Century (****) Jessica Williams proves that she excels in the solo format. These pieces may owe something to her decision to remove the music stand and fall-board, unfold the front part of the lid and lower the level of her seat. What matters more is the results of this tinkering, and while outside effects do crop up, such as the sparking string plucks on "Toshiko," the effect is one of consonance and elegance, more compositional than improvisational, haunted as my by Beethoven ("Fantasia") as by blues ("Dear Oscar").