Browse some recent Origin Reviews.
Paul Ricci - The Path
by David R. Adler, JazzTimes
Paul Ricci is a wonderful player — not pyrotechnic, supremely tasteful, rhythmically and harmonically adept, with a warm, clean tone that makes The Path a beauty to listen to. Finished in stages across many years, the album features electric bass maestro Anthony Jackson, who has since passed — so rock-solid and distinctively creative on everything he touched. His presence and that of drummer Steve Jordan and percussionist Manolo Badrena... read more
speak - Speak
by Peter Walton, Earshot Jazz
For many, introductions to the band Speak came with last April's Andrew D'Angelo benefit concert at the Chapel Performance Space at the Good Sheperd Center. Concluding a night of emotional performances from Wayne Horvitz, Bill Frisell, Cuong Vu, Robin Holcomb, and Eyvind Kang, the band, then billed as Cuong Vu's University of Washington Student Ensemble, was one of the evening's great surprises.
Speak's sprawling and unpredictable... read more
Jordan VanHemert - Survival of the Fittest
by Scott Yanow, Los Angeles Jazz Scene
Tenor saxophonist Jordan VanHemert's fifth album as a leader, Survival Of The Fittest, was partly borne out of anger and distress after losing a teaching job due to budget cuts (he has since found one at a different college) and his experiences with racism in general. Despite that, the music on this release (five originals, "Softly, As In A Morning Sunrise," "Come Sunday," a Korean folk song, and a blues) is generally hopeful,... read more
Various Artists - Modern Jazz: A Collection of Seattle's Finest Jazz
by Bill White, Seattle PI
With a respite from the harsh weather that had tied up the city earlier in the week, Ballard Avenue was alive Thursday night with the festive laughter of bar-hopping crowds sampling some of Seattle's finest jazz.
The snow and ice had melted, the winds had stopped, and the sky was clear. The eight venues participating in the Ballard Jazz Walk were comfortably full. Traffic moved in and out steadily, and there was always a free chair to be... read more
Gregg Keplinger / Reuben Radding / Daniel Carter - Language
by Jon Davis, Expose
This set starts out with a mangled bowed sound from Reuben Radding's bass, more sound effects than notes, joined after a few moments by Daniel Carter's alto sax and Gregg Keplinger's drums. The three wander aimlessly for a bit, then the fog clears and a quick swinging tempo emerges, with Radding providing a busy bottom end, Keplinger simultaneously keeping the beat on the ride cymbal and adding unexpected accents on snare and toms, and Carter... read more
Scott Reeves - Portraits and Places
by Staff, Jazziz
Multi-instrumentalist, composer and educator Scott Reeves assembled his Jazz Orchestra eight years ago, but has just gotten around to recording with them. During that time, the City College of New York professor, who also taught at Juilliard among other prestigious institutions, has honed his big band's sound and the works he's written for them. The thrilling results can be heard on Portraits and Places (Origin), the Scott Reeves Jazz... read more
Ray Vega & Thomas Marriott - East-West Trumpet Summit
by George Fendel, Oregon Jazz Scene
The two-trumpet ensemble is not a new thing in jazz, but it sure is a good thing in the hands of New Yorker Ray Vega and Seattleite Thomas Marriott. Their paths had crossed on both coasts over recent years, and a friendship and mutual respect developed. Resulting, of course, in this recording. Former Seattle pianist (now New Yorker) Travis Shook leads a rhythm section that also boasts two Seattle aces, bassist Jeff Johnson and drummer Matt... read more
Bad Luck - Four
by Ian Gwin, Earshot Jazz
For over a decade, Seattle-based duo Bad Luck—that's Neil Welch (saxes, electronics) and Chris Icasiano (drums)—have packed and unpacked their deceptively simple formula of drums and saxophone. Through their deep musical partnership, they continue to recast the mold of contemporary music. Over countless fiery performances and three full-length releases, the depth of the duo's compositional-improvisations has steadily developed, starting from... read more
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