Origin Records Reviews



Joel Miller - Swim
by David Franklin, Cadence

Since 2001, the Canadian tenorist Joel Miller has released six recordings under his own name, the 2011 Swim being the latest. On this album, as on earlier ones, Miller shows himself to be an extraordinary saxophonist able to execute the most difficult technical passages with apparent ease. But he employs his technique not for show but in the service of a well-developed, creative melodic sensibility enhanced by an attractive Mintzer/ Brecker-like... read more

Jessica Williams - Freedom Trane
by Doug Ramsey, Rifftides

The pianist has concentrated on solo performance lately but returns to the trio format by way of this paean to John Coltrane. Accompanied by bassist Dave Captein and drummer Mel Brown, Williams explores four pieces by Coltrane and four of her own that pay tribute to the man she has long acknowledged as a major musical and spiritual inspiration. In her notes, she calls him "my light through the darkness." There is no darkness in the title tune,... read more

Hal Galper Trio - The Zone: Live at the Yardbird Suite
by George W Harris, Jazz Weekly

Piano legend Hal Galper shows his post bop chops in high quality form at this gig in Edmonton, Canada with his team of Jeff Johnson/b and John Bishop/dr. The Getz/Baker alumnus shows pristine and lovely work on the lyrical "Artist" while digging deep with the mates on the modal "Scufflin'". The three form a hip groove on "Israel" with Johnson giving thoughtful intros to the scrambling "Cubist" and slapping the sucker on the bluesy "Scene West"... read more

Benjamin Boone | Philip Levine - The Poetry of Jazz
by DUNCAN HEINING, All About Jazz

5-STARS Lenny Bruce might have skewered it with his skit, "Psychopathia Sexualis." Mike Myers' mildly misogynist poet might have parodied it in the movie I Married an Axe Murderer (1993). It has been dismissed as a late-fifties fad associated with the Beats. And, yet, the desire of poets and jazz musicians to combine their art forms has proven surprisingly durable.

Sometimes, the practice is just plain embarrassing and made worse by... read more

Jordan VanHemert - Nomad
by Jack Bowers, All About Jazz

Although his name offers no clue, saxophonist Jordan VanHemert's heritage is Korean. He salutes that legacy on Nomad, his second album as leader, with a pair of Korean folk songs and half a dozen comparatively modern themes written by Koreans or Korean Americans. Most are performed by VanHemert's trio: (Rodney Whitaker, bass; David Alvarez III, drums). Pianist Lisa Sung, guitarist Nathan Borton, bassist John Webber, drummer Max Colley III and... read more

Maja Jaku - Blessed & Bewitched
by Editor, Women in Jazz Media

A deeply personal, fully original album exploring the emotional and spiritual dimensions of jazz — raw, poetic, and transcendent.

Blessed & Bewitched blends five original compositions with two reimagined jazz classics, recorded between New York City and Vienna with an international ensemble. The music bridges the intimacy and elegance of golden-era jazz with a modern, deeply personal sensibility.

The album is not just music—it... read more

John Moulder - The Eleventh Hour
by Howard Reich, Chicago Tribune

Last July, as Chicago guitarist John Moulder was preparing for a two-night run at the Green Mill Jazz Club, veteran Chicago recording engineer Ken Christianson offered to record the sessions.

Moulder didn't hesitate, even though he would be performing with the creative young Chicago saxophonist Geof Bradfield for the first time. With pianist Jim Trompeter, bassist Larry Gray and drummer Paul Wertico ? all longtime Moulder collaborators ?... read more

Corey Christiansen - Outlaw Tractor
by Carlo Wolff, JazzTimes

There's more to guitarist Corey Christiansen's third outing as a leader than can be revealed in a cursory listen. There's funk in "When You Want," a hip shuffle in the Grant Green-meets-Jimmy Smith mode; there's easygoing romanticism in "Down Time," a samba in which Christiansen explores deep sonorities as saxophonist David Halliday updates the broad-shouldered Chicago tenor style; there's oddball angularity in the title track, a jaunty workout... read more

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