Origin Records Reviews



Thomas Marriott - Human Spirit
by Jeff Krow, Audiophile Audition

We've been covering Thomas Marriott since his third CD back in 2007. Last June, he showed that he could more than hold his own when matched with Ray Vega in a trumpet fest. He has been featured as a lead sideman on many of his label mate's CDs. His rise as a first choice trumpeter has been steady, almost meteoric.

His latest CD for Origin is Human Spirit, and it is a joy. Adding a Hammond B-3 to the mix with fellow Northwesterner... read more

Brad Goode Quintet - That's Right!
by Herb Boyd, Downbeat

4-STARS Practically every possible sound explodes from Brad Goode's trumpet on That's Right! Goode's pyrotechnics begin with a flourish on "Half Moon," and his full-throated melodic lines quickly are repeated by Ernie Watts on tenor saxophone; his passages equal and often extend Goode's solos and ideas. On "Regret," essentially a ballad, Goode makes a spectacular ascent up the scales, before settling into a relaxed mode. But even here,... read more

Greg Yasinitsky - YAZZ Band: New Normal
by Jack Bowers, All About Jazz

4-STARS As one good album clearly deserves another, Greg Yasinitsky, who wears many hats—composer, arranger, woodwind specialist and educator among them—has released New Normal, the second impressive outing by his admirable Washington state-based ensemble, the YAZZ Band, which varies in size from septet to tentet. Unlike Yasinitsky's earlier album, YAZZ Band, which was recorded basically in one session with fixed personnel, the... read more

Kiki Valera - Vivencias en Clave Cubana
by George W Harris, Jazz Weekly

Cuban sounds of joy are delivered by Kiki Valera, who plays cuatro, guitar and percussion as he features the bel canto voice of Coco Freeman and a snappy team of Alex Baro/tp, Jose Alayo-Yanill Nario/b, Pedro Vargas/perc and guest vocalists Carlos Cascante, Joshuah De Jesus and Steve Guasch. The tunes are mostly composed by Valera and Freeman and are sizzling affairs with rich grooves and bright trumpet solos on pieces like "Mi Son" and... read more

Dan Dean - 251
by Larry Taylor, JazzReview.com

Bassist Dan Dean shows his talent and versatility on the superb 2 5 1. This CD takes its title from the familiar turnaround that is a key element in the harmonic progression of many classic songs. The 11 numbers here include ten standards and one George Duke composition. They all utilize this musical pattern, but listeners can ignore the technical and just enjoy the music.
Each track is set in a duo concept with various top musicians on piano,... read more

Cuong Vu - Leaps of Faith
by Ian Patterson, All About Jazz

It may require a leap of faith to entertain Cuong Vu's overhaul of jazz standards, but it was no easy step for Vu either, after 15 years doing his own thing. Innovative, too, the use of two bassists, with Luke Bergman holding down the bottom end and freeing Stomu Takeishi up to roam wide sonic territory. It can't have been easy for Bergman to enter and radically rewire a long-standing trio, nor for Takeishi to assume a new role, but Vu's bold... read more

Bobby Broom - My Shining Hour
by George W. Harris, Jazz Weekly

Few guitarists these days possess an identifiable tone; Bobby Broom's one of the guys who does. He's been a perfect foil for tenor guys like Stanley Turrentine and Sonny Rollins, as his #2 pencil thin tone mixed with a duster of a strum is like a signature from a fountain pen.

Most of the standards here are taken at a joyful and midtempo lilt, making "My Ideal" more wistful than longing and "My Shining Hour" brimming with hope.... read more

Cathy Segal-Garcia & Phillip Strange - Live in Japan
by Chris Spector, Midwest Record

This twofer was recorded live in Japan over Christmas 30 years ago shortly after dropping her debut with Peter Erskine and Marc Johnson. A spirited piano/voice romp where chances are taken and dark corners explored. Successfully. You gotta go all the way to Japan to hang out in a saloon this cool? A perfect example of putting the fun first and having it... read more

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