Browse some recent Origin Reviews.
Michael Waldrop - Time Frames
by C. Michael Bailey, All About Jazz
Another marimba recording, this one very different from Kuniko's Tribute to Miyoshi (Linn, 2021). Also, another collaboration with Jack Cooper for percussionist and drummer Michael Waldrop, the two having previously released Time Within Itself (Origin, 2015) and Origin Suite (Origin, 2018). Cooper's contribution this time is "Three Mediterranean Views," a scampering island triptych pitting Waldrop's mallets against the piano in a breezy dance of... read more
Walt Blanton / Tony Branco / John Nasshan - Monuments
by Forrest Dylan Bryant, JazzTimes, July/August 2008
Listeners who associate the concept of free improvisation with harsh chaos or impenetrable obscurity will be pleasantly surprised by this Las Vegas-based trio, which wanders amiably through seven open-ended yet even-tempered pieces. This grounding is largely due to drummer Johhn Nasshan, who sticks closely to bop-based rhythms and keeps even the knottiest excursions in the pocket. Branco's piano pulls in the opposite direction, with deep... read more
John Stowell - The Banff Sessions
by A Fan, reviewindex.com
A fantastic CD from a great artist!
John Stowell is not only a great guitar player, he is one of the few unique voices in jazz today. He has a style that is instantly recognizable, and plays with very intense feeling and emotion. The sad fact is that John has been playing to this great level of musicianship for at least 25 years, yet is known to only a small number of people. John is best in small group situations, solo, duo, or trio, where... read more
Upper Left Trio - Cycling
by C. Michael Bailey, All About Jazz
It would be too easy to pigeonhole the Upper Left Trio as a Bad Plus wannabe. Doing so would certainly be inaccurate, as the Upper Left Trio exists at approximately the midpoint between the Oscar Peterson Trio and Medeski, Martin, and Wood. The band's debut recording, Cycling, consists of 10 well-crafted original piano trio compositions that fall conservatively well short of the Bad Plus, producing a record that will not boast the band being the... read more
Kelly Sill / Jim McNeely / Joel Spencer - Boneyard
by Tom Conrad, JazzTimes
Jim McNeely is best known as a composer-arranger for large jazz bands. On Boneyard, he applies the mindset of a big-band arranger to the minimalist format of the piano trio. He also gets space (rare in his discography) to display his considerable prowess as a fleet, sophisticated, percussively ornate pianist.
McNeely is able to approach this recording architecturally because he is so familiar with its building blocks. McNeely, bassist... read more
Jon Hamar - Idyl Wild
by Chris Spector, Midwest Record
Casting off the Geoff Keezer penumbra of his last album, this time around he replaces piano with double sax for a bass/drum/sax jazz quartet that knows how to offer up a low key hipsters delight. Not needing pyrotechnics to catch fire, this crew keeps the fire on a simmer that just doesn?t burn out or boil off. Sweet stuff for real finger popping daddios that dig it from their chairs.... read more
Benjamin Boone - The Poets Are Gathering
by Benjamin Kirk, Fresno State University Arts & Humanities
"That's my son collapsed there," poet Patricia Smith bluntly speaks in the album's opening line. "My son crumpled there," a rhetorical finger points past the distracting noise of the pundits and protests to the human crux of the issue. Smith's voice sharpens the accusation as Benjamin Boone's saxophone unravels the emotion behind the mother's words.
"My son dangling there. My son caged there...My daughter splayed there...My son hanging... read more
Big Neighborhood - Neighbors
by Frank Rubilino, Cadence
White's guitar and Fagan's alto saxophone sing out with harmonious clarity on (2). Pushed by bassist Miller and drummer Parisot, the two forward
soloists of the Big Neighborhood quartet start with unison statements that spring into more adventurous territory only to return again to music that moves at an easy gait. Melodic chords ring out joyously from White's guitar; he takes an advanced position and then changes the tempo to glide into music... read more
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