Browse some recent Origin Reviews.
Scott Reeves Quintet - The Alchemist
by Euan Dixon, Jazz Views (UK)
Readers in the UK may not be familiar with the work of Scott Reeves. Indeed, until I received a copy of this intriguing recording he was an unknown quantity as far as I was concerned. Let me tell you that it turns out he is an esteemed scholar/performer recently retired from full time academic work and active on the New York scene where he performs with many better known luminaries as well as playing trombone in the big bands of Dave Liebman and... read more
Matt Jorgensen +451 - Quiet Silence
by Gordon Todd, Earshot Jazz, August 2001
Drummer Matt Jorgensen need not worry about the pitfall of the sophomore slump with his second release as a leader, Quiet Silence. It contains some of the freshest and most honest playing on any jazz CD this year. Jorgensen and his band, 451, play complex, progressive music but make it sound as natural as breathing.
Unlike some bands led from the drum kit, Jorgensen and 451 showcase the music, not the percussionist. While an imaginative and... read more
David Friesen Circle 3 Trio - Triple Exposure
by Hobart Taylor, KUCI - Irvine, CA
Bassist composer Friesen, Greg Gobel, pianist, and drummer, Charlie Doggett, play the most elegant of chamber jazz. The jazz trio, like the string quartet in classical music, is an ideal form for balance between solo and ensemble play. Friesen, long a recognized virtuoso, gently leads the tunes but does not overwhelm them. Check out "Rainbow Song" for a very special tour de force.... read more
Brad Goode Quintet - That's Right!
by Herb Boyd, Downbeat
4-STARS Practically every possible sound explodes from Brad Goode's trumpet on That's Right! Goode's pyrotechnics begin with a flourish on "Half Moon," and his full-throated melodic lines quickly are repeated by Ernie Watts on tenor saxophone; his passages equal and often extend Goode's solos and ideas. On "Regret," essentially a ballad, Goode makes a spectacular ascent up the scales, before settling into a relaxed mode. But even here,... read more
Hugo Fernandez New Grounds Quartet - Ozean
by Chris Spector, Midwest Record
An innovative German cool school guitarist whose idea of cool school is laid back Wes rather than standard ECM, he comes in with a solid set of jazz for the mind that any fan of sitting down jazz will recognize as top shelf. Well played and well planned, this is certainly a guitar player of note leading the... read more
Steve Million - What I Meant to Say
by Bill Brownlee, Plastic Sax
Musicians have long been required to play with tactful quietude if they intend to find steady work in Kansas City's jazz venues. Three outstanding musicians who performed together in Kansas City in the late 1970s and early 1980s subtly subvert the low-key approach on an instructive new album.
Joined by bassist John Sims, pianist Steve Million, guitarist Steve Cardenas and drummer Ron Vincent play straight-ahead jazz with exacting brilliance... read more
Kelly Harland - Twelve Times Romance
by Christopher Loudon, JazzTimes, May 2003
Through no real fault of her own, fellow Seattleite Kelly Harland fares less well with her debut effort, Twelve Times Romance (Origin). Harland, who closely resembles actress Teri Garr, has a fresh, sunny sound garnished with a healthy dollop of Lena Horne's phrasing. The former backup singer and respected vocal coach handles a broad spectrum of standards, ranging from the plaintive regret of "Too Late Now" to the Broadway bravado of "I... read more
Laurie Antonioli - Songs of Shadow, Songs of Light
by Dr. Debra Jan Bibel, Amazon.com
Joni Mitchell certainly has gone far since June 1968 when I listened to the then emerging composer sing at New York's The Bitter End. Having become one of the honored greats of music, her numerous songs have been covered by many singers and instrumentalists. This includes jazz artists, which is appropriate since Mitchell herself wrote and performed jazz crossovers. The latest is from vocalist Laurie Antonioli, whose new album, Songs of... read more
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