Browse some recent Origin Reviews.
David Sills - Eastern View
by Adam Greenburg, All Music Guide
On his first album as a proper lead for Origin, saxophonist David Sills is taking the opportunity to reflect upon his time in "The City" after a stay in New York (though his own usual locale is also a major city, LA has a different vibe to say the least). The all-original compositions here take a special effort to touch upon the New York aesthetic in many ways, but offset the busyness somewhat with a light touch on the guitar, a particularly... read more
Rodney Whitaker - Outrospection: The Music of Gregg Hill
by George W Harris, Jazz Weekly
Michigan bassist Rodney Whitaker gives tribute to the pen of fellow statesman Gregg Hill on this classy post bop album teaming the leader with Xavier Davis/p, Dana Hall-Randy Gelispie/dr, Diego Rivera-Marcus Elliot/sax, Randy Napoleon/g, Michael Dease/tb, Etienne Charles/tp and Rockelle Whitaker. The result is a lyrical mix of moods that keep a smile on your face. Ms Whitaker soulfully struts with Rivera's tenor on "New Sunday" and blossoms on... read more
Benjamin Boone - The Poets Are Gathering
by Chris Spector, Midwest Record
Our pal Terri Hinte has a long history of knowing everything jazz and hip in the Bay area but she was too young to be any kind of first hand beneficiary of left leaning, radical and avant garde goings on in North Beach. Regardless, I can't think of anyone more appropriate to be the publicist for this radical jazz and poetry set that captures the spirit of the boundary breakers and envelop pushers that were fed up and pissed off with everything... read more
Harvie S - Bright Dawn
by George W Harris, Jazz Weekly
Bassist extraordinaire Harvie S does some delightful interplay with his adroit team Peter Bernstein/g, Miki Hayama/p and Matt Wilson/dr on this collection of mostly originals. He strums the strings to lead into a hip boogie groove with Bernstein on the classic "Devil May Care" while his digits pizzicato with pleasure with Hayama on the post-bop read of Chick Corea's "Humpty Dumpty". Wilson scratches and taps out a rich pulse on "Ghosts Of... read more
Clay Giberson - Aiming True, Vol. 1
by Dan McClenaghan, All About Jazz
On his solo piano effort Aiming True, Clay Giberson is like a poet, center stage, naked, voicing deep personal musings; or a singer, a cappella, seeking truths with the rhythm of the syllables, the rise and fall of intonations in a world seemingly indifferent to the search. Just Clay Giberson, two hands and a piano, and a universe of probing sound in eighty-eight keys.
Mr. Giberson came to my attention with the Upper Left Trio's Cycling... read more
John Stowell | Michael Zilber - Live Beauty
by Mike Joyce, JazzTimes
Anyone who has enjoyed previous collaborations by guitarist John Stowell and saxophonist Michael Zilber will be delighted to discover that nothing gets lost in the transition from studio to stage on this 2012 concert recording. It's an intimate quartet affair, marked by the kind of soulful, instinctual interplay that fans have come to expect.
In the album's liner notes, Stowell and Zilber briefly discuss their creative relationship, the yin... read more
Maddie Vogler - While We Have Time
by Jack Bowers, All About Jazz
Regardless of one's opinion of the music (from this vantage point, quite favorable), it is always a pleasure to welcome a jazz group led by a woman whose talents reach beyond voice or piano. Maddie Vogler, who presides over an admirable sextet on While We Have Time (and wrote all the music therein), plays alto saxophone, and does so about as well as any of her peers, male or female.
When she is not gigging or recording, Vogler teaches music... read more
Benjamin Boone with the Ghana Jazz Collective - Joy
by David Whiteis, JazzTimes
The Ghana Jazz Collective (saxophonist Bernard Ayisa, keyboardist Victor Dey, Jr., bassist Bright Osei, and drummer Frank Kissi) are an Accra-based contingent whose weekly sessions at the +233 Jazz Bar have become legendary among local aficionados as well as savvy-eared visitors from out of town. Their sound might challenge some listeners' stereotypes about African jazz musicians—rooted solidly in American funk-fusion and seasoned with healthy... read more
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