Browse some recent Origin Reviews.
Xose Miguélez - Ontology
by Chris Spector, Midwest Record
Ethnic, but not world jazz, inspired by his great aunt and some motifs that run through it all, this is solid sitting down, listening jazz that flows like the river in a Zen koan and never blows a false note. You don't have to be an egghead to love it, just someone that appreciates sax blown right starting with some blue prints on the artist's DNA. Tasty stuff made for grown up... read more
Todd Bishop - Travelogue
by Travis Rogers, Jr., JazzTimes
For Travelogue Bishop has brought together some old partners and one new addition. Chris Higgins on bass is the new addition and a welcome one, at that. Higgins straight Jazz approach works incredibly well with Bishop's own drum work.
Returning for Travelogue are Richard Cole on the woodwinds (soprano, tenor and baritone saxophones, bass clarinet and alto flute) and the brilliant Jasnam Daya Singh (formerly Weber Iago) on... read more
Laurie Antonioli - Songs of Shadow, Songs of Light
by Doug Boynton, Girl Singers.org
Subtitled "The Music of Joni Mitchell," right out of the box, you know it's going to be a little bit of a tightrope act. It's not like "The Music of Cole Porter," or "Johnny Mercer;" songs that have been done a bazillion times, and no one (in my demographic, anyway) can remember exactly who did the original.
On these, there's no doubt. Joni Mitchell did the original. And mostly (in my demographic, anyway), we remember how... read more
George Colligan - The Endless Mysteries
by John Kelman, All About Jazz
While music fans often think of the artists they love as gifted people whose lives are consumed by the pursuit of their art, all-too-often they ignore equally important, if seemingly more mundane, needs: making a living, perhaps having a family...things to which most people aspire. With music sales on the decline, most musicians pay the rent by touring and, in some cases, teaching, but for those who've failed to achieve greater recognition,... read more
Chuck Deardorf - Perception
by Chris Spector, Midwest Record
The bass ace takes kind of a busman's holiday by digging into jazz and rock chestnuts he likes and wants to leave his imprint on in the company of fine company. A first class jazz listening date, this is the perfect companion for when you want to sit back and take it all in.... read more
John Moulder - The Eleventh Hour
by Dave Sumner, All About Jazz
Whereas many of Chicago's jazz and blues guitar icons seem to channel the dark alleys and the bar sign neon of the city through their instruments, John Moulder's sound is more akin to a synthesis of the lakefront -- a beauty and serenity that is just as likely to show a face of fury and cold precision. For some time now, Moulder has quietly been developing his sound into something quite unique. The Eleventh Hour provides the opportunity to hear... read more
Carlos Vega - Bird's Ticket
by Dick Metcalf, Improvijazzation
In addition to Carlos's totally engaging saxophone, you've got Victor Garcia on Trumpet, Stu Mindeman doing Piano and Rhodes, Josh Ramos with Acoustic Bass and Xavier Breaker on Drum set on this all-original set... the opener alone makes it clear that this is a jazz group you'll want to listen to over & over again, and takes me (way) back to my earliest days in jazz listening... "A Confluence in Chi-Town" clocks in right at 9:00, and will have... read more
Dawn Clement - Tandem
by Thomas Conrad, JazzTimes
Dawn Clement, extroverted pianist and introverted vocalist, has been embedded in the Seattle jazz scene for 20 years. Tandem, her fifth recording as a leader, is the kind of necessarily discontinuous project that often doesn't work as an album. Clement plays nine duets with five very different musicians, all based in Seattle except A-list New York drummer Matt Wilson. The tunes are also diverse: old standards, originals, a Monk, a... read more
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