Browse some recent Origin Reviews.
Anthony Branker & Word Play - Dialogic
by David Franklin, Cadence
Anthony Branker teaches music composition at Princeton and leads a couple of Jazz groups on the side. Dialogic is the second release by his quartet, Word Play. He himself no longer performs, but he composes the group's material and serves as its musical director.
His compositions are more than mere tunes, but they are tuneful and they serve ably as vehicles for the consummate improvisations of his fine cadre of musicians, all of whom boast... read more
Brittany Anjou - Enamigo Reciprokataj
by Ken Micallef, JazzTimes
There's a wonderful sense of becoming, of exploration and playfulness on Minot, North Dakota-born pianist Brittany Anjou's debut recording. She crams so much talent and energy into the album's 10 songs that you wonder if she'll ever come up for air. Enamiĝo Reciprokataj (Esperanto for "reciprocal love") is the daring work of a 35-year-old visionary. Though Anjou sometimes seems about to spin off her piano seat, she's ultimately a channel, a... read more
Corey Christiansen - La Proxima
by Elliot Marlow-Stevens, Jazz Journal (London)
In the album notes of La Proxima, guitarist Corey Christiansen writes that his primary influence for this album was a desire to further explore African- and Cuban-inspired rhythm and groove. Christiansen was helped in this project by percussionist Michael Spiro, a fellow teacher at Indiana University's Jacobs School of Music, and bassist David Belove and drummer Colin Douglas, and together the quartet blend contemporary jazz and Afro-Cuban... read more
Diego Barber & Hugo Cipres - 411
by Dan McClenaghan, All About Jazz
The opening of the decidedly modern music on 411, the track entitled "Timanfaya," sounds like a spooky, welcome to a plugged-in netherworld. It begins with electric surges and wafflings, then glowing beeps punctuating electric washes before a shift into tune two, "all in," that sounds as if the late multiple reedman Eric Dolphy is hanging around the place, where he's hooked up with guitarist/composer Frank Zappa.
The music is the... read more
Joe Locke / Geoffrey Keezer Group - Live In Seattle
by Dr. Michael Matheny, Radioio
The newest from Joe Locke and Geoffrey Keezer, 'Live in Seattle' is out in stores Tuesday the 18th of July, and just might be the best jazz release of 2006. having been accused of favoring jazz fusion in the radioioJAZZ playlist. I use these seven brilliant live tracks to stand behind my plea. I am guilty of loving jazz fusion. And 'Live in Seattle' will justify my decision to put this incredible album out front this week.
'Live in Seattle'... read more
John Stowell and Dave Liebman - Blue Rose
by George Fendel, Jazz Society of Oregon
There must have been something in the air this month, because here comes yet another soprano saxophone record. Actually, Liebman plays some tenor here as well. He meets up with Portland-based favorite John Stowell in a highly communicative duo session on some memorable material. One can?t argue their varied choice of tunes featuring American Songbook goodies like ?Everything I Love,? ?My Ideal,? and ?How Deep Is the Ocean.? Duke Ellington?s... read more
Bill Anschell - Improbable Solutions
by Paul Rauch, All About Jazz
4 1/2 STARS Pianist and composer Bill Anschell has made his mark in jazz as a distinctive pianist with a notable body of work. His time in Atlanta, and his extensive residency in Seattle, has produced ten recordings as a leader or co-leader, and a well-deserved following on live dates with two distinctive trios, plus his "Rumbler" band. His previous two recordings define the past decade of his career, with Shifting Standards (Origin,... read more
Corey Christiansen - Lone Prairie
by C. Michael Bailey, All About Jazz
Guitarist Corey Christiansen has released two previous recordings on the Origin label in Roll With It (2008) and Outlaw Tractor (2010). Both were well received and featured Christiansen's ethereal playing, characterized by a deep reverb beneath a slightly overdriven tone. These recordings are uniformly fine, but generally lacked a thematic center (not that one was required).
Having said that, Christiansen provides here a disc with a central... read more
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