Browse some recent Origin Reviews.
Robby Ameen - Diluvio
by George W. Harris, Jazz Weekly
Rich post-bop sounds are delivered by drummer Robby Ameen as he brings in a two sax arsenal of Troy Roberts/ts-ss and Bob Franceschini/ts-ss-bs as well as trombonist Conrad Herwig to front the rhythm team of Edsel Gomez-Bill O'Connell/p-key, Lincoln Goines/b and Mauricio Herrera/perc through some percolating arrangements. The horns weave through the assertive and snappy pieces like "Fast Eye" and they get thick with Franceschini on bari during... read more
Dann Zinn - Day of Reckoning
by FILIPE FREITAS, Jazz Trail
Throughout the album Day of Reckoning, the fifth from tenorist Dann Zinn, creative freedom emerges with straightforward structural discipline within a post-bop realm that oftentimes refers to the sonic worlds of Michael Brecker, Sonny Stitt, Jerry Bergonzi, and Phil Woods. In the company of technically developed musicians such as pianist Taylor Eigsti, a frequent collaborator, bassist Zach Ostroff, and drummer Mark Ferber, Zinn blends familiar... read more
Giacomo Gates - Centerpiece
by Don Williamson, JazzReview.com
Giacomo Gates left a life of construction work in Alaska, and the art form of vocalese is all the healthier because of it. Possessing one of the more interesting resumes among jazz people, Gates was always interested in music, but he found adventure and a change of climate in Alaska. Even there, he continued to sing as an avocation. Eventually, Sarah Vaughan, appearing in Fairbanks, encouraged Gates to return to the East Coast if he were to... read more
John Bishop - Antwerp
by Russell Perry, WTJU-FM
Drummer John Bishop (Benjamin Boone, Hal Galper, Thomas Marriott) founded Origin Records as a label "run for musicians by musicians", yet rarely does he issue music under his own name. It has been 18 years since Nothing If Not Something in 2005. Of the program of six originals and three covers (by Hal Galper, Carla Bley, Henry Mancini), Dan McClenaghan wrote on AllAbout Jazz, "From the opener, Weijters' rollicking Ruchsichtslos, to Galper's... read more
Dee Daniels - Intimate Conversations
by Katie Bull, New York Jazz Record
In live performance the radiant Dee Daniels swings, grooves and dips into gospel edges from a core of warmth. Daniels delivers songs with uniquely relaxed humor, enveloping each audience member in a powerful sonic embrace. Her new album, Intimate Conversations (Origin) is a series of tight duos executed with eight jazz veterans, three of whom - Wycliffe Gordon (trombone), Martin Wind (bass) and Ted Brancato (piano) - will be appearing... read more
New York Voices - Reminiscing in Tempo
by Doug Ramsey, Rifftides
In their third decade together, the group's Reminiscing In Tempo fortifies their reputation as a vocal ensemble whose musicality matches their ability to reach deeply into the rhythmic heritage that gives jazz its unique place in world culture. I would be surprised if the lead track doesn't grab the most attention, in part because when "Round, Round, Round" debuted as part of the Dave Brubeck Quartet's Time Out album in 1959, it became... read more
Western Jazz Collective - Dark Journey: The Music of Andrew Rathbun
by Tom Haugen, Take Effect
A collection of musicians who have the Western Michigan University in common, the 7 players on hand flesh out the music of saxophonist/composer Andrew Rathbum with much precision.
"Making No Sense" starts the listen with Matt Landon's frisky guitar lines alongside Rathbun's soulful sax for a timeless jazz spirit, and "Infinite Being" follows with a calmer pace of light drums from benefit much from Scott Cowan's radiant trumpet.
Deeper... read more
Joel Miller Sienna Dahlen - Dream Cassette
by George W. Harris, Jazz Weekly
Joel Miller sings, plays sax, piano, guitar and percussion while Sienna Dahlen joins him in voice on this folksy collection with jazz sensibilities. Horns produced by David Carbonneau/tp and Dave Grott/tb ad textures to the guitars provided by Francois Jalbert and Jordey Tucker, while Simon Page/b and Kevin Warren/dr keep the pace steady. There's a synth pop feel to material like "Blue Times" and the folksy "Flying Dream" while the most jazzy... read more
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