Browse some recent Origin Reviews.
Gregg Keplinger / Reuben Radding / Daniel Carter - Language
by Aaron Steinberg, JazzTimes, May 2003
With time enough for a second West Coast recording, Radding and Carter invited Seattle mainstay drummer Gregg Keplinger into their orbit on Language (Origin). The recording opens with the raging "Speak Glow," a tune temperaamentally distant from the quiet meditations of Luminescence and an early warning that Carter and company are about to claim a much wider emotional and amplitudinal range. Carter lets more anguish into his... read more
Dee Daniels - Intimate Conversations
by Doug Ramsey, Rifftides
Accompanied only by Martin Wind's forthright bass lines, the singer sets her story-telling course with the imperishable 84-year-old "Exactly Like You." She and Wind are so convincing again in "I Wish You Love" that this listener found himself wishing for an entire album with just the two of them. However, Daniels is equally effective accompanying herself on piano and coloring "All The Way" with blues feeling as Wycliffe Gordon... read more
Hal Galper / Reggie Workman / Rashied Ali - Art-Work
by Don Williamson, Jazz Review
Previously on Origin Records, Hal Galper had recorded Furious Rubato. Well, Galper's playing still comes across as furious and often as rubato. That seems to be its natural state now that he was developed his own individualistic aesthetic after 40 years of accompanying some of the most respected leaders in jazz, staying in the background for and complementing the styles of the horn players like Phil Woods and Chet Baker. The fury of Galper's... read more
Metropolitan Jazz Octet - The Bowie Project
by Chris Baber, Jazz Views (UK)
Having recently pondered the ways in which Bowie's music related to jazz, it was a pleasure to receive this CD to review. Immediately, you are struck by the mixture of songs that the octet has chosen. There are, of course, well known tunes such as 'Changes' (track 3), 'Let's dance' (track 6), 'Life on Mars' (track 11), but also a host of tracks from albums across Bowie's career. This suggests to me that this is clearly a project developed... read more
Les DeMerle - Cookin' At The Corner, Volume 1
by Tom Hull, Jazz Prospecting
The setup is piano-bass-drums plus singer, but the leader is the drummer, and he sings some too. In fact, DeMerle and Eisele pair up like Louis Prima and Keely Smith, even if they play it straight most of the time. (But not all the time: DeMerle sings one about a sailor who comes home after three years to find his wife has a new baby named Bennie. Where'd he come from, the sailor wonders? "Bennie's From Heaven.") Eisele doesn't enter until the... read more
James Moody - 80 Years Young: Live at the Blue Note, March 26, 2005
by Editor, Modern Drummer
For the last part of his life, the legendary James Moody chose to include Adam Nussbaum in his working band. Nussbaum was featured on the outstanding Moody studio recording with Hank Jones called Our Delight. For this live recording, Nussbaum is let loose behind the tenor sax legend. Nussbaum, bassist Todd Coolman, and pianist David Hazeltine set the mood for this all-star celebration featuring legends like Slide Hampton, Paquito D' Rivera,... read more
George Colligan - The Endless Mysteries
by Dave Sumner, emusic
Jazz Picks of the Week - Engaging piano trio recording from the trio of pianist Colligan, bassist Larry Grenadier, and drummer Jack DeJohnette. Plenty of modern twists and turns, but nothing that will turn the old-school fans off. While not breaking new ground, familiar territory is explored with an inventive frame of mind, resulting in straight-ahead music that comes from all kinds of nifty... read more
Thomas Marriott - Flexicon
by Adam Greenburg, All Music Guide
Trumpeter Thomas Marriott spent time paying his dues in the New York scene, moving back to his native Northwest after a few years and becoming a darling of the local jazz scene. On Flexicon, he pulls out sounds and styles from both areas of influence. The album opens with Freddie Hubbard's "Take It to the Ozone," jumping directly into full-speed, full-power, high-energy, post-bop melodies and using the solos to explore every possible nuance of... read more
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