Origin Records Reviews



David Friesen Circle 3 Trio - Where the Light Falls
by Brent Black, Bop-N-Jazz

Widely acknowledged as one of the finest bass players over the last forty years, David Friesen's Circle 3 Trio and Where the Light Falls may be his finest release yet.

Remember melody? Improvisational music was built around the strength of melody long before meter and technique moved to the head of the class. Friesen never forgot melody, he manipulates and manufactures all the possibilities that exist in a simple unadorned melody.... read more

Charlie Ballantine - East by Midwest
by Dan McClenaghan, All About Jazz

4 STARS

A bracing guitar/bass/drums trio outing from guitarist Charlie Ballantine, East by Midwest, sounds as if it was recorded in a large, high-ceilinged warehouse with a cement floor, that floor buffed into the next dimension to a high polish, this giving the music a beautiful resonance. Retro? Think Link Wray or Dick Dale and The Deltones. Modernistic? Think John Abercrombie on some of his early ECM Records efforts. Or... read more

Gabriel Espinosa - The Brazilian Project
by George W. Harris, Jazz Weekly

Composer and bassist Gabriel Espinosa gives a salute to the music of Brazil with a collection of his material that takes on the halcyon days of bossa nova and bring them up to date. He mixes and matches with a collection musicians in Roger Rocha/as-ss-fl, Josue Lopez/ts-fl, Daniel Freire/bars, Bruno Santos/fh, Rafael Rocha-Joabe Reis/tb, Andre Lopez-Felipe Silveira-Eduardo Farias/p, Giovani Malini/g, Hugo Maciel/eg Renato Rocha-Rafael Barata/dr... read more

Geof Bradfield - Our Roots
by Michael Jackson, Downbeat

In each of his four CDs for Origin, the enlightened, musician-led label from Seattle, commencing with Urban Nomad in 2008, through African Flowers (2010), Melba (2013) and Our Roots (2015), Chicago-based Geof Bradfield has proven himself a blue chip saxophonist/arranger/composer and conceptualist. Further to that, Houston-born Bradfield has emerged as a witty and informative live presenter of his ambition projects.

Case in point was a... read more

Chad McCullough & Bram Weijters - Abstract Quantities
by George W. Harris, Jazz Weekly

Warm-toned Chad McCullough / tp and evocative Bram Waijters / p-keys lead a subtle quartet with Piet Verbist / b and John Bishop / dr through a collection of quiet and lyrical originals. There's a bit of agitation and drive on material like "Glorious Traffic Jam," but for the most part you get sophisticated melodies gently laid out as on "Mr. Rubato," "Winter's Lament" and "Billions." The team is simpatico, and lets the candles burn all the way... read more

Michael Zilber - Originals for the Originals
by George Harris, Jazz Weekly

Michael Zilber uses his compositional skills as well as his soprano and tenor saxes to give tribute to some of his musical inspirations. The core team of David Kikoski/p, James Genus/b and Clarence Penn/dr is used for all of the songs except one, the darkly swinging "Hen House" dedicated to Joe Henderson. Other Selmer stars include a Wayne Shorter, who is shown by the leader's soprano in the Weather Report fashion on the exciting and propulsive... read more

Anthony Branker and Word Play - The Forward (Towards Equality) Suite
by Joe Tangari, Downbeat

In 1999, Anthony Branker was forced to stop playing trumpet due to a medical condition. Where many musicians would have felt silenced losing their ability to play, Branker shifted his energy to composing and assembled two collectives, Word play and Ascent, to bring his music to life.

Word Play is the band on his most recent release, The Forward (Towards Equality) Suite (Origin), a wide-ranging and powerful rumination on America's... read more

Jordan VanHemert - Nomad
by Tom Haugen, Take Effect

The saxophone powerhouse Jordan VanHemert returns with Rodney Whitaker on bass and David Alvarez III behind the drum kit for a listen that celebrates Korean culture via their exciting jazz formula, and there's plenty of guests in attendance, too.

"Bird, Bird, Bluebird" starts the listen with VanHemet's warm sax before frisky drumming and playful bass enters the stylish jazz climate, and "Imjin River Song" follows with the rhythm section... read more

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