Origin Records Reviews



Mamutrio - Primal Existence
by Rotcod Zzaj, Improvijazzation Nation

Jesse Dockx, drummer extraordinaire from Belgium, helped to found this absolutely tasty jazz trio, and with his mentors & mates Piet Verbist (bass) and Lieven Cambre (saxophone), they put together some tunes you won't soon forget... a "prime" example of that is the 5:26 "To Remember"... great drum intro from Jesse, with his partners weaving in right before the one minute mark... you'll listen to this one over & over again (this reminds me quite... read more

Lynn Bush with New Stories - Still Life
by Christopher Loudon, Jazz Times

Lynn Bush, yet another of the fast-growing roster of formidable singers from the Seattle area, makes her recording debut with Still Life (Origin), an evocative collection of time-honored standards. Though blessed with a smoky voice that recalls the alluring sang-froid of Julie London, Bush is decidedly more robust than the perpetually horizontal Miss Julie. Backed by a masterful rhythm section comprised of pianist Marc Seales, bass player Doug... read more

Chad McCullough & Bram Weijters - Abstract Quantities
by Tom Greenland, New York Jazz Record

Antwerp-based pianist Bram Weijters and Chicagoan trumpeter Chad McCullough co-lead Abstract Quantities, with bassist Piet Verbist (another Antverpian) and Seattle drummer John Bishop, a quartet that has developed close musical and personal chemistry over its five-year history. The leaders share compositional chores, penning compelling themes like "Little Song (for Mirthe)" and the carnivalesque "Acceptance or Denial", but the strength of the... read more

Bobby Broom - Song And Dance
by Alex Henderson, All Music Guide

Bobby Broom had recently turned 44 when he recorded Song and Dance in February and March 2005. In youth-obsessed markets like hip-hop, teen pop, or dance-pop, any artist who is 44 and successful probably became established 20 or 25 years earlier. But jazz is a different ball game. In jazz, age is a plus; it means more years developing your skills, improving your chops, and discovering who you are as an artist. Jazz is full of people who had more... read more

Michael Waldrop - Origin Suite
by Jack Bowers, All About Jazz

Drummer / vibraphonist Michael Waldrop 's intriguing Origin Suite (deftly arranged by Jack Cooper) sweeps away musical boundaries to make its points, one of which is that big-band jazz needn't be ensnared in a time warp but is capable of changing with the times to engender songs that are as aesthetically pleasing as they are thematically stylish.

The three-movement suite, written to feature Waldrop on drums and vibes, calls to mind in its... read more

Alon Farber Hagiga - Reflecting On Freedom
by Ruth Fisher, JazzFM (UK)

The fourth album from Alon Farber's Hagiga band was inspired by Eddie Harris's 'Freedom Jazz Dance' and is a gorgeous blend of musical flavours and colours, swing, Moroccan, funk and Brazilian music that makes up that melting pot of the Israeli soundtrack.

But, it was Alon's arrangement of 'You'll See The Way' that really hooked me onto this album and when you take on a Matti Caspi song and make it sound as good as the original, you know... read more

Anthony Branker and Word Play - Uppity
by Ken Franckling, Ken Franckling's Jazz Notes

A medical condition that led to a seizure and two brain aneurysms in 1999 forced jazzman Anthony Branker to give up the trumpet, but not his talents as a conceptualist and composer. (He is also an educator ? the founder and director of the jazz studies program at Princeton.) His newest release, featuring his all-star sextet Word Play, is both beautiful and provocative. Favorites: ?Three Gifts (from a Nigerian Mother to God)? and the title track... read more

Jessica Williams - With Love
by Martin Z. Kasdan Jr., Louisville Music News

Jessica Williams has produced an album of intimate solo piano pieces, rendered with elegance and emotion. There's a backstory here, that Ms. Williams suffered a lumbar spine collapse, followed by lengthy and extensive medical procedures. Her self-penned liner notes suggest that the nonpyrotechnical approach was a result of the spine issues, but had she made no mention of her problem, the album would still be a testament to a musical vision of... read more

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