Browse some recent Origin Reviews.
Richard Sussman - Live at Sweet Rhythm
by Larry Taylor, All About Jazz
In 1979, pianist Richard Sussman's recording Free Fall was released on Inner City to some acclaim. Now, over three decades later, Sussman brings back his band mates from the seventies to perform on Live at Sweet Rhythm. Chief among them is trumpeter Tom Harrell, who gives further evidence that he is a genius of improvisation.
Besides Harrell, Jerry Bergonzi contributes much with his powerful John Coltrane-influenced tenor saxophone. All are... read more
Josh Nelson - The Sky Remains
by Kirk Silsbee, Downbeat
4-STARS Pianist Josh Nelson thinks big. His own projects, showcased so far in clubs only, are multimedia affairs with scenery and video projections to live music. The music for these phantasmagoria is equally expansive, often revolving around Los Angeles history, science fiction and things celestial. The son of a Disney imagineer, he sees the town as the ultimate thrill ride. Nelson's triumph is essaying his personal obsessions in ways... read more
Bobby Broom - The Way I Play: Live In Chicago
by Alain Drouot, Downbeat, July 2008
Guitarist Bobby Broom is low-key but confident, which is often reflected in his playing. On this selection - culled from a series of live trio dates recorded in his hometown of Chicago - one gets to enjoy his most spirited side as well as a return to jazz standards and other staples. Throughout the session, Broom has a fine sense of pace. While he can deliver some dazzling lines, he also understands the virtue of patience and carefully plans his... read more
Metropolitan Jazz Octet - The Bowie Project
by Chris Baber, Jazz Views (UK)
Having recently pondered the ways in which Bowie's music related to jazz, it was a pleasure to receive this CD to review. Immediately, you are struck by the mixture of songs that the octet has chosen. There are, of course, well known tunes such as 'Changes' (track 3), 'Let's dance' (track 6), 'Life on Mars' (track 11), but also a host of tracks from albums across Bowie's career. This suggests to me that this is clearly a project developed... read more
Steve Korn - Here and Now
by Jason West, Earshot Jazz
It's possible that the jazz fans of the next 1000 years will revisit the Seattle sound at the turn of this century. If so, John Bishop's independent label, Origin Records, will enjoy a number of reissues. Representing a small circle of local players, Origin’s catalog sports over a dozen releases, the most recent being one of the best: Steve Korn’s "Here and Now."
For his initial recording as a leader Korn plays with two of his... read more
Mike Pope - The Parts You Keep
by Rudolf Radnai, avxforum.hu (Budapest)
Bassist, composer and sound engineer Mike Pope mixed and mastered his new album himself, the title of which was inspired by the title of a Tom Waits song "The Parts You Throw Away" in the opposite sense, of course. The album also features his own songs and arrangements, and as a touching ending, Pope inserts a recording of his 85-year-old mother, an excellent classical pianist, performing a solo performance of Ernst von Dohnányi's... read more
Lucas Pino - No Net Nonet
by Travis Rogers, Jr., The Jazz Owl
Lucas Pino is just getting started and we are fortunate to catch him early in his career and watch what he becomes. He is already an excellent composer—in fact, he was already composing great pieces in high school. His talents were sharpened at the Brubeck Institute, The New School and at Julliard.
Nothing hones skills finer, however, than playing with exemplary artists and Pino has played, and recorded, with some of the best. This nonet is... read more
Joachim Mencel - Brooklyn Eye
by Piotr Iwicki, Jazz Forum (Poland)
5-STARS We have an amazing album. And it is not about the registration of the album signed by a Pole in the USA, surrounded by local giants of the jazz scene, or the world distribution resulting from the fact that it was released by a renowned label, but about the sound and complete negation of the artistic carbon paper.
The faith of Joachim Mencel is not without significance here, often verbalized in musical achievements (e.g. a... read more
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