Browse some recent Origin Reviews.
Joe Locke - Subtle Disguise
by Brian Zimmerman, Jazziz
Vibraphonist Joe Locke's year got off to a great start - beginning with an induction into the World Vibes Congress Hall of Fame alongside Milt Jackson - and continues to get better with the release of Subtle Disguise, his 36th album as a leader. The album, which features vocalist Raul Midon, guitarist Adam Rogers, saxophonist David Binney and pianist-vocalist Alina Engibaryan as special guests, walks an ambitious middle path between emotion and... read more
New York Voices - Reminiscing in Tempo
by C. Michael Bailey, All About jazz
What the quartet New York Voices achieves with their performance of Dave Brubeck's "Blue Rondo Á La Turk" disguised as "Round, Round, Round" by lyricist Lauren Kinhan is nothing short of a schizophrenic jazz "Carmina Burana." Lithe, muscular, and smart, the performance is dense and thought-provoking, deftly navigating between its disparate 9/8 and 4/4 sections.
The 9/8 sections are presented in almost astringent counterpoint, the vocals... read more
Steve Korn - Points in Time
by Dan McClenaghan, All About Jazz
This one, more than most sets that come this way, reveals itself in successive layers. Melody didn't initially assert itself to these ears. It was there, in dreamy post bop permutations, but it was the harmonies that grabbed me from the start. Drummer Steve Korn and company explore unusual and engaging harmonic frameworks, and I spent a couple of spins of the disc absorbing those and wishing for a deeper grounding in the technicalities of music,... read more
Chad McCullough - Dark Wood, Dark Water
by Elliott Simon, All About Jazz
As illuminating as new views of familiar landscapes can be, a vibrant jazz scene is best measured by its ability to foster young artists creating new music. Dark Wood, Dark Water's compositions employ advanced harmonics and are all originals, save for the band's lovely and unique take on Lennon-McCartney's "Blackbird." Joining Chad McCullough and Jeff Johnson are Bishop himself, saxophonists Mark Taylor and Geof Bradfield and pianist Bill... read more
Anthony Branker & Ascent - Blessings
by Jerome Wilson, Cadence
Composer Anthony Branker does not play anything on Blessings but he has assembled an impressive group of musicians, including Ralph Bowen, Steve Wilson, and Bryan Carrott, to perform his work. Branker's music falls under the broad Mainstream Jazz umbrella. His pieces are heavy on melody and, as their titles suggest, have a decidedly spiritual feel. "Ascent" is a strongly uplifting piece with soaring horns supported by Carrott's vibes.... read more
Ben Thomas Tango Project - Eternal Aporia
by Jack Bowers, All About Jazz
They say it takes two to tango. On Ben Thomas' new album, Eternal Aporia ("uncertainty; doubt"), it takes at least three, and sometimes half a dozen. That's not a bad thing, as Thomas' splendid core trio is fleshed out on three numbers by cellist Gretchen Vanover and on two others by Vanover, violinist Brandon Vance and pianist Jonathan Greer, making the tango more lustrous and enchanting than ever. Thomas himself plays vibraphone, bandoneon and... read more
Florian Hoefner - Luminosity
by Michael J. West, Jazztimes
"Typical" and "generic" aren't synonyms. Pianist Florian Hoefner works to create music that " doesn't sound like generic jazz." To be sure, Luminosity, Hoefner's third album with his quartet, is not generic, with its oblong structures and meters that require listeners to search for the 1. But its use of those elements to distinguish it does make it fairly typical mid-2010s postbop.
But never mind: The point is it's very... read more
Bobby Broom - Bobby Broom Plays for Monk
by Rick Anderson, All Music Guide
How to play the compositions of Thelonious Monk is always a slightly awkward question, even -- maybe especially -- for those musicians who love and admire him the most. His apparently awkward piano style was so much a part of his strangely convoluted and rhythmically challenging compositions that to play his music in what seems like a faithful and respectful style is to run the risk of sounding like a parodic imitator. Guitarist Bobby Broom is... read more
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