Origin Records Reviews



R|E|D|S - Sign of Four
by Jerome Wilson, Cadence

Sign of Four is by a simpler quartet formation with guitar and baritone sax as the leads. Epstein plays a mobile and hard swinging baritone that brings Serge Chaloff to mind, especially in his ballad work. While Roupe has a thick, cushiony guitar sound reminiscent of Abercrombie or Coryell. The two of them really mix it p and dance on "Last Call" and "Space Acre." "Cambodia" is a swirling, Rock bossa nova "Tuca's Song" s a nice vehicle for... read more

Todd Bishop Pop Art 4 - 69 Annee Erotique: Music of Serge Gainsbourg
by Adam Greenberg, All Music Guide

Todd Bishop has taken groups Lower Monumental and Flatland through somewhat revolutionary jazz territory before, exploring what modern free jazz could sound like while still putting together entirely listenable albums. On 69 Annee Erotique, Bishop takes his Pop Art 4 through some surprising new arrangements of old Serge Gainsbourg songs. The songs vary from dark to light, slow to jumpy, but they're all given a strong touch of the new in Bishop's... read more

Affinity Trio - Hindsight
by Michael van Gee, Jazz'n'More (Switzerland)

Trios consisting of trumpet, piano and bass are rare, which is why the line-up of the band Affinity Trio makes you sit up and take notice. This also applies to the music, a mix of originals and rare jazz standards. The debut album, recorded in Chicago, allows intimate insights into making music together, in which all three musicians--trumpeter Eric Jacobson, Pamela York on piano and Clay Schaub on double bass--are always responsible for rhythmic... read more

Corey Christiansen - Roll With It
by C. Michael Bailey, All About Jazz.com

If jazz is America's soundtrack, periodically updated by tonal seismic shifts, then Corey Christiansen's third release, Roll With It, is one such shift. Imagine a Grant Green-Jimmy Smith-Stanley Turrentine 1960s triumvirate (had one existed) buffed to an early 21st Century digital sheen, greasy easy on the pork fat, hard on the omega-3s and what you get is guitarist Corey Christiansen's soul-jazz world view.

Debuting on Origin Records with... read more

Corey Christiansen - La Proxima
by Chris Spector, Midwest Record

Leaving behind the west that has inspired him on past releases, Christiansen digs into his Afro Cuban inspirations for a painting from a different palette. Not a traditional Afro Cuban outing, but for a cat that spends a bunch of the year in Indiana, we'll grant him his askance and enjoy the ride as well. A fun guitar jazz tour de force that takes you on a great... read more

Jonas Tauber with William Thomas, Doug Haning - Prime Numbers
by Adam Greenburg, All Music Guide

From classically trained but forward-thinking bassist Jonas Tauber comes this album of free jazz recorded live at the Jazz de Opus club in Portland. Accompanying him are drummer William Thomas and pianist Doug Haning. Here, the trio performs a good deal of spontaneous improvisation, delving deeply into the free jazz ideals on the fly. The only thing tying the trio down is a mysterious clinging to a centering around prime numbers as the basis for... read more

David Weiss Sextet - Auteur
by Filipe Freitas, Jazz Trail

Trumpeter and composer David Weiss assembles a dynamic sextet for his latest album, Auteur, featuring both longtime collaborators—alto saxophonist Myron Walden and drummer EJ Strickland—and fresh voices like pianist David Bryant, tenor saxophonist Nicole Glover, and bassist Eric Wheeler. The album showcases seven passionate tracks, including five original compositions by Weiss and two previously unrecorded pieces by jazz greats Freddie... read more

Brent Jensen - More Sounds of a Dry Martini
by Jack Bowers, All About Jazz

4-STARS Two decades have passed since alto saxophonist Brent Jensen recorded his debut album for Origin Records, Sounds of a Dry Martini: A Tribute to Paul Desmond, in 2001. To Jensen's surprise, the album became so enormously popular that the possibility of a sequel was envisioned. There was, however, one large stumbling block—by 2007, Jensen had sold his alto sax and switched to soprano. It was not until 2017, after he had moved to... read more

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