Browse some recent Origin Reviews.
Paul Tynan - quARTet
by Robert Rusch, Cadence
As a painter, even beginning with my earliest work, I realized the effect composition and improvisation had on my canvas work. I would often pick some music to try to trigger/inspire my painting. PAUL TYNAN [tpt/flg/corn] has essentially turned the tables on that on quARTet [Origin Records 82776]. For this CD, Tynan has taken a piece of artwork (canvas or photograph), spent intimate time with it and then fashioned a composition and improvisation... read more
Michael Zilber - Originals for the Originals
by Robbie Gerson, Audiophile Audition
5-STARS Saxophonist Michael Zilber has an unusual geographic history. He was born in Vancouver, Canada before moving to Boston as a teenager. He moved to New York and worked with Sonny Sitt, Dizzy Gillespie, Dave Liebman, Dave Douglas, Rachel Z and Narada Michael Walden among many. While In New York, he recorded two critically acclaimed albums, The Heretic and Stranger In Brooklyn as a sole band leader. But his career has been anchored... read more
Jon Alberts / Jeff Johnson / Tad Britton - Apothecary
by Ken Dryden, All Music Guide
One of the greatest challenges that jazz musicians face is seeking fresh approaches to well-known songs. Fortunately, pianist Jon Alberts has performed with his bandmates for the past two decades and they make familiar music sound new. Bassist Jeff Johnson and drummer Tad Britton make the most of the subtle take of "On Green Dolphin Street," in which Johnson's accompaniment and solo lines resist predictable paths and Britton's stripped-down drum... read more
Charlie Ballantine - East by Midwest
by George W Harris, Jazz Weekly
Guitarist Charlie Ballantine forms a bopping trio with Quinn Sternberg/b and Dan Weiss/dr on a mix of originals and clever covers. What's most attractive about Ballantine is the use of his unique tone; it's got a thick, rural sound, hinting at Bill Frisell in it's palpability, but with a bit of energy in the John Scofield world. He gets folksy and traditional tones on "Storyteller", while bouncing with delight on the bopping read of Thelonious... read more
John Stowell and Ulf Bandgren - Throop
by Hessel Fluitman, Jazzflits- Netherlands
John Stowell lives in Portland, Oregon and Ulf Bandgren in Gothenburg, Sweden. Both gentlemen met in Ithaca, New York and then Bandgren was invited by Stowell in 2010 to perform together at the Ballard jazz Festival in Seattle. The interplay between the two guitarists is exemplary. Over and over again, soloing and accompanying, they create a complete Orchestra. Most compositions are by Ulf Bandgren, but also contains a number by Stowell and one... read more
Jim Norton Collective - Time Remembered: Compositions of Bill Evans
by Michael Roberts, Jazziz
It's a mystery why Bill Evans' compositions, beyond the usual suspects, aren't recorded more frequently. Certainly, his writing was entwined with his style and personality. But, as multi-reed player Jim Norton understands, the Evans songbook goes far deeper than "Waltz for Debby," Offering rich opportunities for interpretation. On this new collection, Norton's 12-piece band dives beneath the surface of the Evans catalog, and the leader's... read more
Roxy Coss - Restless Idealism
by Dick Metcalf, Improvijazzation
What sets Ms. Coss apart from all the other sax players is her (almost) relentless pursuit of originality, and this ten-song release is nothing but Coss originals! You'll "get the sonic picture" as soon as you catch the first eight (or so) bars of her opening tune, "Don't Cross the Coss"... & what you will hear, above all else, is that she doesn't need to "try" too hard... her playing style is totally natural & jammed full of life. I first... read more
Affinity Trio - Hindsight
by Tom Haugen, Take Effect
The trio of Eric Jacobson, Pamela York and Clay Schaub, as Affinity Trio the midwest outfit pen a timeless version of jazz that spreads out across 10 diverse tracks. The vivid trumpet from Jacobson and warm keys from York opens the listen with the glowing "Open Windows", and "Fitzroy" continues the dynamic interaction with soulful brass and well timed bass lines. Halfway through, "Themes For Ernie" focuses much on the emotive horn and twinkling... read more
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