Origin Records Reviews



Jared Hall - Seen on the Scene
by Chris Spector, Midwest Record

Sometimes you just don't need anything more than a driving leader and a bunch of like minded jazzbos that brought their chops to make sure a good time is had by all. A real dynamo trumpeter, Hall leads with a sure handed lip guiding a cast of characters that doesn't need to be told what to do. You don't even need a libation to go with this because you won't want to miss a note. One solidly swinging good... read more

Xose Miguélez - Contradictio
by Chris Spector, Midwest Record

If modern Havana still has back streets like in "Godfather II", this sounds like what those sounds would probably sound like. As the label moves out of it's traditional comfort zones for a date recorded in Portugal, the world wise colorations make a nifty change of pace in the label's generally impeccable canon. With passages that could easily be "West Side Story" outtakes, is this our first taste of modern, progressive Hispanic jazz or have... read more

David Friesen with Orchestra and Quartet - Testimony
by Cedric Hendrix, CirdecSongs

Bassist David Friesen has been a part of the jazz scene for more than 50 years. Clearly, he has nothing to prove. Testimony (Origin Records) feels almost like a work of classical music, regardless of whether he's working with a quartet or an orchestra. The music is deep and intimate, rarely shouting louder than a whisper. It has the sound of the veteran musician baring his soul for all to hear. We are fortunate to be able to accompany Friesen on... read more

Rich Thompson - Who Do You Have to Know?
by Tom Haugen, Take Effect

The drummer Rich Thompson has an impressive resume and he adds to that body of work here with 9 tunes that welcome Corey Christiansen, Bobby Floyd and Peter Chwazik to the fusion formula.

The title track starts the listen with Floyd's atmospheric organ and Thompson's agile drumming in the flowing, worldly jazz climate, and "Street Cred" follows with a playful and melodic spirit that's full of Christiansen's flowing guitar work.

Halfway... read more

Marlene Rosenberg - MLK Convergence
by Matt Silver, WRTI, Philadelphia

Jazz Album of the Week: Bassist Marlene Rosenberg's MLK Convergence Captures Spirit of Protests

Inspired by the protest music of the '60s that helped dismantle the codified racism of that era, bassist Marlene Rosenberg's latest album, MLK Convergence, released almost exactly a year ago, presents a new catalogue of socially conscious compositions with the exigency of our current moment in mind, taking aim at the vestiges of... read more

Bill Anschell - Shifting Standards
by George W Harris, Jazz Weekly

Veteran pianist Bill Anschell joins together with Jeff Johnson/b and D'Vonne Lewis/dr for some original readings of jazz standards. A slower than expected "A Night In Tunsia" has Anschell probing deeply while he plays hide and seek with Johnson on "Cheek to Cheek." Lewis' cymbal dances on a bluesy and chiming "Jitterbug Waltz" while the team paints a impressionistic spaciousness on "Soul Eyes." Anschell has a gorgeous touch throughout, working... read more

Thomas Marriott - Constraints & Liberations
by Greg Simmons, All About Jazz

Listening to Thomas Marriott's Constraints & Liberations, two things are abundantly clear: Marriott spent some serious time studying Miles Davis' second great quintet; and, his own voice on trumpet is developed well enough to make it sound like a strong, easily recognizable influence, but not plagiarism. Naturally, favorable comparison to the one of the greatest standing outfits in the history of jazz is intended as a compliment.

The... read more

Scenes - Variable Clouds: Live at the Earshot Jazz Festival
by George W Harris, Jazz Weekly

Timeless post bop is delivered by the quartet of Rick Mandyk/ts, John Stowell/g, Jeff Johnson/b and John Bishop/dr on this swinging live set at the Town Hall in Seattle Washington. The entire band sounds like they're both inspired and rejuvenated by the end of the COVID lockdown, with everyone sounding celebratory in delivery.

Mandyk's tenor smokes like a Cohiba, breathy on the mellow "Tilbury Hill", fluffy over Bishop's deft brushes for... read more

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