Origin Records Reviews



Michael Dease - Found in Space: The Music of Gregg Hill
by Michael van Gee, Jazz'N'More (Switzerland)

5-STARS Trombonist and baritone saxophonist Michael Dease (*1982) was last featured in JNM 05/23 on his album "Soft Shoe." Now he follows up with "Found In Space," in which he once again presents the highly sophisticated compositions of 78-year-old Gregg Hill, who has been honored musically on many albums in recent years. For his album, Michael Dease has assembled an eleven-piece ensemble with seven exquisite wind instruments and a... read more

Abate Berihun & The Addis Ken Project - Addis Ken
by Thierry De Clemensat, Paris Move

Where Jazz Meets Memory: Abate Berihun's Global Soundscape

Cultures, you said cultures? Then you have come to the right place. The spirit of One Thousand and One Nights, that vast tapestry of stories shaped between the 17th and 18th centuries, lingers here, not in narrative form, but in sound. Within those tales, music, often centered on the tambourine and lute, evokes deeply interwoven cultural traditions, including threads of Jewish... read more

Peter Erskine & the JAM Music Lab All-Stars - Bernstein in Vienna
by Jürg Solothurnmann, Jazz'N'More (Switzerland)

Musicians from the Vienna University JAM Music Lab pay tribute to Leonard Bernstein († 1990) and invite Peter Erskine as producer and soloist. There has always been an exchange between jazz and the melodies of musicals and revues. With his attractive creations such as "West Side Story", Bernstein continued this tradition, a fusion of light classical music, jazz and pop songs. This ORF concert recording under the direction of Danny Grissett... read more

Bobby Broom - Song And Dance
by Thomas R. Erdmann, Jazzreview.com

Guitarist Bobby Broom has had a career in jazz envious of many. He's played with Miles Davis, Stanley Turrentine, Dr. John, Charles "Mighty Burner" Earland, and Sonny Rollins, to name but a few. Born in Harlem and currently living in Evanston, Illinois, Broom began playing the guitar in junior high school and credits his first guitar teacher with trying to point him in a jazz direction. He credits George Benson's Bad album for helping drive... read more

Purna Loka Ensemble - Metaraga
by Patrick Neas, The Kansas City Star

'A general communication of good will.' East and West unite in the album 'Metaraga'

"East is East, and West is West, and never the twain shall meet," Rudyard Kipling wrote. But violinist Purnaprajna Bangere is out to prove that not only can they meet, they can become one.

Bangere, a mathematician and musician based in Lawrence, and the Purna Loka Ensemble have recently released "Metaraga," an album that uses... read more

Jim Gailloreto Jazz String Quintet - American Complex
by Susan Francis, JazzTimes

There is a noir jazz complexion in the music of Jim Gailloreto's Jazz String Quintet that reverberates of haunting sensations in the harmonies of the instruments as they travel along serpentine-curved passageways. The group's new CD, American Complex from Origin Classical label, covers an extensive network of movements from the vintage chamber jazz formations of yesteryear to the domains of avant garde, downbeat ambient, and eclectic... read more

Hadley Caliman - Straight Ahead
by Alan Chase, The Wire

Seattle-based saxophonist Hadley Caliman, recently reemerged after close to 30 years in obscurity, with his latest Straight Ahead on Origin Records. Back in the 1970s, Caliman was the saxophonist of choice for artists ranging from Santana to McCoy Tyner. As the title of this CD implies, this is a straight-up, no-holds-barred, hard bop-oriented session in the vein of classic Blue Note recordings by Hank Mobley, Lee Morgan and Caliman's... read more

Ben Thomas Tango Project - The Hat with the Grin and the Chuckle
by Geoffrey Himes, Hard Rain & Pink Cadillacs

When the musician of one country tackles the music of another country, it's always not quite right. Often that results in the embarrassingly ersatz, but sometimes—as when the Beatles adapted Chuck Berry or Emmylou Harris adapted the Beatles—that "not quite right" results in something wonderfully new. That's the case when American Ben Thomas revises Argentinian tango music on this and previous albums. Playing the traditional, accordion-like... read more

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