Browse some recent Origin Reviews.
Giacomo Gates - Centerpiece
by Glenn Whipp, Los Angeles Daily News
Let's face it: Scat singing is an art best left to Ella Fitzgerald and very few others. But if a guy who spent 12 years in Alaska working as a bouncer and manning bulldozers wants to try, who are we to argue? Actually, Gates is one of the most extraordinary singers working in jazz today, the owner of a joyful baritone who has synthesized a host of influences - Eddie Jefferson, Jon Hendricks and Sinatra among them - and turned them into something... read more
Scenes - ...But Not Heard
by Chris Spector, Midwest Record
With 12 years together under this trio's belt, they came along just too late to be the crew that would have made BMG extend the deal on Windham Hill Jazz. Cerebral jazz with a warmer edge than ECM cool school cerebral jazz, this is wonderful set of thoughtful jazz that doesn't make you work to listen to it. The kind of in the pocket music that you can easily mistake for background music until it slowly surprises you by taking center stage,... read more
Dan Cray - Meridies
by C. Michael Bailey, All About Jazz
There is nothing iconoclastic about pianist Dan Cray. He derives his piano style more from Tommy Flanagan and Hank Jones than Matthew Shipp or Ran Blake. He has been driving a trio through four previous recordings: Who Cares (Cray Sounds, 2001); No One (Blujazz productions, 2003); Save Us! (Blujazz productions, 2005); and Over Here Over Heard (Crawdad, 2008). Cray has also provided movie music for actor Michael Keaton's The Merry Gentleman... read more
Carlos Vega - Bird's Up
by Chris Spector, Midwest Record
Left leaning Latin jazz first stewed in Chicago and later brewed in Miami, Vega brings it back home to tear it up with Chicago locals that love riding the groove express. Tasty, high octane stuff that finds the sax man and his pals giving it their all and giving more than you'd expect. A winner throughout.... read more
Margo Rey - The Roots of Rey | Despacito Margo
by Chris Spector, Midwest Record
Giving chestnuts a Latin tinge, this jazz vocalist with a serious art bent knows how to make it work better than it should. No stranger to the top of the charts, she blends her skills in a most tantalizing way. Fun stuff jazz vocal fans looking for something new and different are sure to... read more
Marc Seales - American Songs, Volume 2: Blues...and Jazz
by Chris Lunn, Ancient Victorys
Seales was one of a host of diverse and often extraordinary keyboard players in the late 70s jazz programs I was honored to book, host, and run for Victory, that included Al Hood, Barney McClure, Jorgen Cruise, Randy Halberstadt, Joni Metcalf, Nick Allison, and many more. Seales' command of the piano stopped you with his deep understanding of blues and jazz basics and an ability to solo intelligently but make the other players better with his... read more
Hal Galper - Trip the Light Fantastic
by Paulo Barbosa, Jazz XXI (Portugal)
CDs RECOMENDADOS
Abril de 2012
****1/2 Stars
Por motivos que, com toda a certeza, se prendem com o seu empenho na �rea do ensino e com o seu papel enquanto pensador do jazz - o sintomaticamente intitulado "Forward Motion", um manual da improvisa��o da sua autoria, resulta exatamente dessa sua dedica��o � aprendizagem do jazz -, Hal Galper �, quanto a mim, um dos m�sicos mais injustamente negligenciados nas �ltimas d�cadas.... read more
Mark Taylor - Spectre
by John Barron, All About Jazz.com
Saxophonist Mark Taylor was announced Northwest Instrumentalist of the Year at the 2009 Earshot Jazz Awards. Such esteemed recognition may be due to his high profile supporting roles on Origin Records releases by Thomas Marriott and Matt Jorgensen + 451. For Spectre, his first recording as a leader in six years, the Seattle, Washington-based Taylor presents an inventive set of original, progressive jazz. The quartet setting features Taylor on... read more
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