Browse some recent Origin Reviews.
New York Voices - Reminiscing in Tempo
by Allen Morrison, DownBeat
The title track of New York Voices' new album, Reminiscing In Tempo (Origin), was one of Duke Ellington's first long-form compositions in the 1930s. (Mel Tormé added the poignant lyrics in 1962.) It's an apt tune for a group now celebrating its 30th anniversary.
Founded at Ithaca College, New York Voices remains one of the world's foremost vocal jazz groups. The original quintet became a quartet with its current lineup in 1994: tenor... read more
Bruce Barth Trio - Dedication
by Jim Marks, Dusted Magazine
Jazz pianist Bruce Barth has an impeccable pedigree, having played with some of the greats of previous generations, including Stanley Turrentine, as well as leading his own groups over the past 30 or more years. His latest, a trio offering with longtime collaborators bassist Vicente Archer and drummer Montez Coleman, delivers exactly what one would expect given that pedigree in the form of eight compelling originals, most dedicated, as the title... read more
Kevin Deitz - Skylines
by Damian Erskine, Bass Musician Magazine
Portland's very own Kevin Deitz really shines here with the release of Skylines. Kevin has had a wealth of experience playing bass everywhere from touring Broadway productions to the stage with the likes of Mose allison, Art Blakey, Dave Brubeck, Sheena Easton and everyone in between. Equally at home on upright as he is on his 7-string Conklin, Kevin showcases his abilities on both instruments with musicality, style and grace with Skylines.... read more
Thomas Marriott - Both Sides Of The Fence
by Jeff Krow, Audiophile Audition
Recorded two years after his Origin Records debut Individuation, Marriott is back with his second Origin release, Both Sides of the Fence. What stands out about this release is the song selection, a mixture of three Marriott originals along with an impeccably well chosen six other tunes by such artists as Ellington, Corea, and Hubbard. Recorded in Seattle, with noted local players, with the addition of two special guests - present day Seattle... read more
Hal Galper Quartet featuring Jerry Bergonzi - Cubist
by Tom McCarter, KZSU, 90.1, Stanford, CA
Galper is back with his trio in top form, & invited saxophonist Jerry Bergonzi into the fold. It was an inspired addition to the sound. Bergonzi is one of those distinctively daring players who doesn't get the recognition he deserves. He can be fierce; his tone is muscular. In the trio's ruminations and maelstroms he can sound like the voice of reason, or like a ranting maniac (with a method to his... read more
Jessica Williams - Songs For A New Century
by Thomas Conrad, All About Jazz
It is hard to think of a jazz musician who has gone her own way more resolutely than pianist Jessica Williams. She works only on her own solo and trio projects, never as a sideperson. She engineers her own albums for her own label, Red and Blue, and sells them on her own website, which she designs and maintains herself. She plays only in the venues she chooses (and she almost never chooses clubs). Even her place of residence is individualistic:... read more
Brad Goode - The Unknown
by Rick Anderson, CD Hotlist
As regular readers know, my strong preference in jazz is for the straight-ahead and swinging, and I particularly tend not to gravitate towards funk- or progressive jazz. Nothing against those styles, they just don't generally speak to me. But this album by trumpeter and composer Brad Goode really connected for me — in part because his funkiness is crunchy and complex rather than poppy, in part because his tone is exquisite, and in part because... read more
Peter Erskine & the JAM Music Lab All-Stars - Bernstein in Vienna
by Tom Haugen, Take Effect
The inimitable drummer Peter Erskine and his excellent company celebrate the work of Leonard Bernstein, where his fondness for Vienna is front and center across these 8 in depth songs.
The frisky "Somewhere" starts the set started with Erskine's fluid drums amid Danny Grissett's glowing keys and Andreas Varady's warm guitar, and "I Feel Pretty" follows with a playful spirit via Bertl Mayer's upbeat harmonica and Robert Unterkofler's lively... read more
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