Browse some recent Origin Reviews.
Rodney Whitaker - Outrospection: The Music of Gregg Hill
by George W Harris, Jazz Weekly
Michigan bassist Rodney Whitaker gives tribute to the pen of fellow statesman Gregg Hill on this classy post bop album teaming the leader with Xavier Davis/p, Dana Hall-Randy Gelispie/dr, Diego Rivera-Marcus Elliot/sax, Randy Napoleon/g, Michael Dease/tb, Etienne Charles/tp and Rockelle Whitaker. The result is a lyrical mix of moods that keep a smile on your face. Ms Whitaker soulfully struts with Rivera's tenor on "New Sunday" and blossoms on... read more
Bobby Broom - Song And Dance
by Lloyd Sachs, Chicago Sun-Times
Covering post-'60s pop hits has tripped up more than a few jazz artists, including "New Standards" man Herbie Hancock. There just isn't enough harmonic interest in most of these songs to lend themselves to open improvising. But Bobby Broom has figured out how to make this stuff hum.
On "Song and Dance," the veteran Chicago guitarist, known for his work with Sonny Rollins and Green Mill regulars the Deep Blue Organ Trio, strips down to a... read more
Corey Christiansen - La Proxima
by Elliot Marlow-Stevens, Jazz Journal (London)
In the album notes of La Proxima, guitarist Corey Christiansen writes that his primary influence for this album was a desire to further explore African- and Cuban-inspired rhythm and groove. Christiansen was helped in this project by percussionist Michael Spiro, a fellow teacher at Indiana University's Jacobs School of Music, and bassist David Belove and drummer Colin Douglas, and together the quartet blend contemporary jazz and Afro-Cuban... read more
Dick Reynolds - Music & Friends
by Lloyd Sachs, Jazzespress
Back in the '60s, Dick Reynolds was the house pianist at Mr. Kelly's, Chicago's famous Rush Street club where stars like Sarah Vaughan and held forth. He also was a king of the commercial jingles jungle. Reynolds has been in retirement since 1996, but he doesn't sound retiring on Music and Friends, a lively, impeccably arranged big band effort whose original compositions range effortlessly from swing to Latin to funk.
With its... read more
David Friesen and Glen Moore - Bactrian
by Dan Bilawsky, All About Jazz
Time and space can take nothing away from certain musical relationships. There are those on-and-off partnerships that flourish regardless of the frequency of encounters and years gone by, and this is clearly one of them.
The connection between bass masters David Friesen and Glen Moore goes back some five decades. It yielded two previous duo recordings - In Concert (Vanguard, 1977) and Returning (Burnside, 1993) - and it continues to bear... read more
Todd Bishop - Travelogue
by Chris Spector, Midwest Record
The drummer that knows how to give everyone else some rounds up the crew again for some killer stuff inspired by recent jaunts across the pond and the growth of the camaraderie it inspired. With a load of groovy sounding 60s stuff running through this collection of originals, the vibe is right in the pocket for anyone that likes straight ahead stuff with a solid groove. Top shelf stuff throughout, this is a trip you must... read more
Laurie Antonioli and Richie Beirach - Varuna
by Thomas Cunniffe, Jazz History Online
Varuna is a dwarf planet located near Pluto, and although it was only discovered about fifteen years ago, it has already become the subject of an original song by vocalist Laurie Antonioli and pianist Richie Beirach. The lyrics touch upon the mythological and astronomical meanings of both the planet and its namesake, and the song's mystical, out-of-time setting is a perfect opener for the second duet album by Antonioli and Beirach. "Varuna" (the... read more
Roxy Coss - Restless Idealism
by Delarue, New York Music Daily
Tenor saxophonist Roxy Coss' new album "Restless Idealism" takes its title from a Hunter S. Thompson quote. It's a concept album of sorts, examining dynamics between hope and cynicism, alienation and intimacy. Coss writes vivid, purposeful songs without words and plays with an uncluttered, often smoky tone reminiscent of Harry Allen.
Don't Cross the Coss, a catchy swing shuffle, makes an excellent, subtly amusing opening number. See. a... read more
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