Origin Records Reviews



Ted Brancato - The Next Step
by George W. Harris, Jazz Weekly

Keyboardist Ted Brancato brings to the field a mix of acoustic and electric musicians including Ron Carter/b as well as a reed and brass section for this collection of material that goes from funk to cheery acoustic. Easy and bluesy jazz comes out on pieces such as "Kinshasa" and "I Don't Want to Fall" while the funk factor is spotlighted on the percussive "Karate Kid" and "It's The Little Things." What used to be called "Adult... read more

Ben Thomas Tango Project - Eternal Aporia
by Georges Tonla Briquet, Jazz'halo (Belgium)

Multi-instrumentalist Ben Thomas in turn ventures into the "tango nuevo" and this only with his own compositions.

Jazz and tango or also the "tango nuevo" without a composition by Piazzolla on the set list? Ben Thomas does it on this 'Eternal Aporia'. It's a step-by-step story. He first made a name for himself as a vibraphonist and composer before being bitten by the dance bug and finally finding his way into the world of the bandoneon. He... read more

John Moulder - The Eleventh Hour
by Dave Sumner, All About Jazz

Whereas many of Chicago's jazz and blues guitar icons seem to channel the dark alleys and the bar sign neon of the city through their instruments, John Moulder's sound is more akin to a synthesis of the lakefront -- a beauty and serenity that is just as likely to show a face of fury and cold precision. For some time now, Moulder has quietly been developing his sound into something quite unique. The Eleventh Hour provides the opportunity to hear... read more

Chicago Jazz Orchestra with Cyrille Aimee - Burstin' Out!
by Christopher Loudon, JazzTimes

If you follow jazz news, you've surely heard of Cyrille Aimée, the French-born chanteuse who took top honors at last year's inaugural Sarah Vaughan International Jazz Vocal Competition and got third place at the 2010 Thelonious Monk International Jazz Vocals Competition. But have you actually heard Aimée? Since 2007, she's released seven albums, including two with Brazilian guitarist Diego Figueiredo, two with her Surreal Band, a live... read more

John Stowell - Solitary Tales
by Matthew Warnock, Just Jazz Guitar Magazine

John Stowell has spent the last thirty years developing a reputation as one of the finest guitarists and educators in the country. John has a unique playing style, holding the guitar almost upright like a cellist. His incredible harmonic vocabulary has given him a personalized sound that has become instantly recognizable to fans of jazz guitar. Along with his performing career, John is also in high demand as a teacher and clinician. Over the... read more

Allison Adams Tucker - WANDERlust
by John Watson, London Jazz News

The international scene is currently blessed with a huge number of exceptionally talented female singers. There are so many strikingly individual voices among them, ranging from the deep, dark chocolate timbre of Patricia Barber to the almost fly-away high range of the brilliant Youn Sun Nah, and all shades of tonal colours in between.

San Diego-born Allison Adams Tucker's voice can be placed towards the lighter end of the tonal spectrum, and... read more

Clipper Anderson - The Road Home
by George Fendel, Jazz Society of Oregon

In the case of Seattle bassist Anderson, the "road home" is the ever changing scenery between Seattle and his boyhood home of Polson, Montana, population 4,500. Anderson pays tribute to that exquisite part of the country by performing a variety of original music and a few selections from other sources. His trio includes former Portland pianist Darin Clendenin, a buoyant and highenergy player of great skill, and his versatile long time drummer,... read more

Jerry Heldman - Revelation(s)
by George W. Harris, Jazz Weekly

Jerry Heldman plays bass, piano, flute and even throws in some vocals as he leads a rhythmic team of David F risen/b-p, Sam Lipumag and Allan Pimentel/dr through a collection of sessions from the 70s. Because of the age of the sessions, the sound can be a bit thick at times, but the energy is fervent and heart felt. Lyrical pieces such as "Bossa Nova No. 1/Song For Kim" have some deep rivulets of grooves with LIpuma's guitar quite... read more

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