Following the fusion influenced "Live In Seattle" (with Geoffrey Keezer) in 2006 and "Sticks And Strings" (with Jonathan Kreisberg) in 2007, "Force of Four" continues vibe player Joe Locke's very strong recent run of inventive albums.
The new quartet ? Joe Locke (vibraphone), Robert Rodriguez (piano and electric piano), Ricardo Rodriguez (bass) and Jonathan Blake (drums) ? is the ideal vehicle for a pleasing programme of innovative post bop.... read more
Three of the prime movers of the Origin label sound join forces with two pals for a couple of live dates in Seattle at a local jazz fest that finds them dishing up a nu version of west coast cool for traveling through the new millennium Playing to a polite, sold out crowd that is there for the show, the crew delights and holds the audience in the palm of their hands. Sounding very much like one of those ?you should have been there ? nights, this... read more
"...a lush cinematic soundscape."
Kim Richmond is a Left Coast saxophonist and arranger who has won his bread performing in pop-oriented settings. Well respected and sought after, Richmond has made several recordings as a leader. On Refractions, he opts for an impressionistic/expressionistic big band sound, music that ebbs and flows, demanding the attention of the listener. There are no mindless blues here.
Refractions... read more
A fiery sophomore release from a swinging force. Here's some heavy jazz cred: on his last tour (2012), tenor giant Sonny Rollins chose Kobie Watkins for the prestigious drum seat. That says it all, but in addition, the native Chicagoan drummer and educator also gigged with the likes of Kurt Elling, Branford Marsalis, Joe Lovano, and Arturo Sandoval. Growing up in the Windy City, Watkins played in the jazz, Latin, and gospel... read more
Jim McNeely is best known as a composer-arranger for large jazz bands. On Boneyard, he applies the mindset of a big-band arranger to the minimalist format of the piano trio. He also gets space (rare in his discography) to display his considerable prowess as a fleet, sophisticated, percussively ornate pianist.
McNeely is able to approach this recording architecturally because he is so familiar with its building blocks. McNeely, bassist... read more
4.5 STARS Pianist Hal Galper has rounded out a career spanning five decades with his stint at Origin Records, beginning with Furious Rubato (2007) and wrapping things up—or so it was rumored—with 2018's Cubist. Most of these are trio affairs featuring bassist Jeff Johnson and drummer John Bishop, with Cubist adding saxophonist Jerry Bergonzi to the mix. All of them respresent Galper's quest for the perfection of the elastic approach... read more
Guitarist Hugo Fernandez defers to tenor and soprano saxist Ariel Bringuez quite a bit here on a quartet session along with the energetic rhythm team of Antonio Miguel/b and Antonio Sanchez/dr. There's a bit of a tribal war dance drum beat on as the team sounds a bit indie-rockish on "Reconciliation" and there's a rockish beat on "Sublime" that features Bringuez's soprano. Restless undercurrents provide a stimulation for Fernandez's clean solo... read more
A Win-Win Proposition
****
Purchasing the new CD by tenor saxist, David Sills, is a winning proposition as it provides both classy jazz by a talented saxophonist with top level sidemen, and a portion of the profits go to the Sierra Club. Such a deal - good music benefiting a worthy cause!
I last reviewed Sills playing on trumpeter Liam Sillery's OA2 Records release, On the Fly, last year and found Sills to be an important part of that... read more
This is just a small collection of the Origin Records reviews. Click here to view all reviews or try to Search for your favorite CD title.
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