Browse some recent Origin Reviews.
Thomas Marriott - Flexicon
by Marke Andrews, Vancouver Sun
Thomas Marriott, a Seattle-based trumpet and flugelhorn player, assembles a top-notch band from his hometown and, supplementing it with New York vibraphonist Joe Locke for two tracks, produces a disc that will put the Emerald City on the jazz map.
Marriott not only has a signature sound individually -- tuneful during solos, lyrical even when he plays at accelerated tempos -- he achieves a group sound as well. He often forms unison horn lines... read more
Don Lanphere with New Stories - Home At Last
by Dave Nathan, All Music Guide
AMG EXPERT REVIEW: The Seattle-based Origin label continues its noble venture to bring as many of the performers from the Northwest's bustling, burgeoning jazz scene to a wider audience. This time the label has teamed erstwhile soprano/tenor saxophone player Don Lanphere with one of the area's more active groups, New Stories. Made up of Marc Seales, Doug Miller, and John Bishop , the trio gives its utmost support to Lanphere on a program of jazz... read more
Matt Jorgensen - Tattooed by Passion: Music inspired by the paintings of Dale Chisman
by Phillip McNally, Cadence Magazine
Finally drummer Matt Jorgensen leads a stellar 5tet on (4), and they work through an impressive series of compositions devoted to the painting of the late Dale Chisman. The nicely handled package displays several of the Chisman paintings which directly inspired Jorgensen, and makes listening to this set a programmatic experience. Trumpeter Thomas Marriott nearly steals the date, for he has a burnished perfect tone and a gentle lyric way with his... read more
Ron Di Salvio - Essence of Green, A Tribute to Kind Of Blue
by George Fendel, Platter Chatter
If you were into Kind of Blue (and who wasn't?), or if you tend to lean in the direction of what is sometimes referred to as chamber jazz, give this one a listen. Di Salvio has brought together a skilled and sensitive group of musicians, the most famous of whom is drummer Jimmy Cobb (who, you might recall, sat at the drum set on Kind of Blue). These are all original tunes, but they were written with the essence of Miles Davis trumpet and the... read more
Scenes - Along the Way
by Tad Hendrickson, JAZZWEEK Magazine - 11/20/06
THE NAME OF a working trio that includes guitarist John Stowell, bassist Jeff Johnson and drummer John Bishop, the Seattle-based Scenes has a nice chemistry that has evolved since the band first appeared as a quartet in 2001. This combo plays like a band and acts like a band: all 10 tunes here come from the pen of either Stowell or Johnson is one example, that all three get plenty of solo time is another. The cool thing is that Scenes starts... read more
William Thomas - Notes From A Drummer
by Adam Greenburg, All Music Guide
As with many of the artists on Seattle's Origin label, William Thomas is an excellent jazz drummer. Here on his debut as a leader, the Portland native spends an hour of quality time with his set, but more important to the album is the time he spent with his score sheets. The feature here is the quality of composition that he's been able to put together a number of times, culminating in a series of quite worthwhile numbers. As is not necessarily... read more
Jim Knapp Orchestra - Secular Breathing
by Adam Greenburg, All Music Guide
This is a somewhat grandiose outing of big band jazz from the composing hands of Jim Knapp. A collective of Seattle jazz players -- as well as a couple alums that had wandered to New York -- were called together for the sake of the album. The basic sound that's created here isn't necessarily what one would think of upon hearing the term "big band." It's a basic modern jazz setup for the compositions, with references to classical, world, and folk... read more
John Bishop - Nothing If Not Something
by Adam Greenburg, All Music Guide
****1/2 - 4 1/2 STARS
This is the Seattle sound at its finest. The trio, led by Origin Records founder John Bishop, has a subtle touch. The sound is dignified, but isn't afraid to let the sax wail a little now and then. In large part, the music gains something distinctive over East Coast jazz in its lack of a drive to highlight talent and knowledge merely for the sake of showcasing. In leaving behind the need to take off with a... read more
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