Browse some recent Origin Reviews.
Chuck Deardorf - Transparence
by Pierre Giroux, Audiophile Audition
Some interesting contrasts and top-notch playing.
The latest CD issued by Seattle resident bassist Chuck Deardorf, entitled "Transparence", is a bit of a mash-up but in a good way. Bringing together a number of dependable musicians from the North West, along with several high profile visitors, these sides were recorded between 2007 and 2010 and present Deardorf and friends in a variety of settings and musical styles.
Given the... read more
Rich Thompson - Who Do You Have to Know?
by George W Harris, JazzWeekly
Drummer Rich Thompson puts together a hip little quartet that veers between a humming Hammond groover and a piano post bopper, depending which instrument Bobby Floyd is sitting behind. Along with Peter Chwazik/b and Corey Christiansen/g, Thompson mixes standards with new material, with Christianson's guitar reminiscent of John Scofield, particularly on the aforementioned's "Gray and Viceral" but also on the organ-ized funky "Street Cred" and... read more
Anthony Branker & Word Play - Dialogic
by David Franklin, Cadence
Anthony Branker teaches music composition at Princeton and leads a couple of Jazz groups on the side. Dialogic is the second release by his quartet, Word Play. He himself no longer performs, but he composes the group's material and serves as its musical director.
His compositions are more than mere tunes, but they are tuneful and they serve ably as vehicles for the consummate improvisations of his fine cadre of musicians, all of whom boast... read more
Les DeMerle Sound 67 - Once in a Lifetime
by Georges Tonla Briquet, Jazz'halo (Belgium)
Young drummer who immediately scored successes from his teenage years, but whose debut
with his group was shelved for inexplicable reasons. That, in a nutshell, is the story behind this
unreleased recording. However, a number of big names contributed to this. Among them Randy
Brecker, Rosemary Clooney and the popular rock singer Genya Ravan (Goldie and The
Gingerbreads) at the time.
Ten songs that are all jukebox material. We hear a spicy... read more
Brad Wheeler - The Future Was Yesterday
by Robert Laxtague, Jazz Magazine France
One notices immediately after listening to this cd the influence of the disciples of Coltrane. Brad Wheeler, an unique tenor saxophonist, has a strong sound, with a soft vibrato. A Chicago musician, he has the blues in his playing, joined by an appropriate guitarist. Near to Von Freeman, often present next to Kurt Elling, arranger and teacher known in the city of great lakes, he constructs in his first cd under his own name, a Jazz which isn't... read more
Tito Carrillo - Urbanessence
by Tom Haugen, Take Effect
The seasoned trumpeter and composer Tito Carrillo returns with a sophomore album, where he explores the distinct energy of city life along with Troy Roberts (sax), Ben Lewis (piano), Clark Sommers (bass), Jay Sawyer (drums) and Victor Gonzalez (congas).
"Momentum" starts the listen with a lively energy, where bright brass and frisky drumming help make for a very flowing climate, and "Fire & Ice" follows with a calmer pace of warm keys and... read more
The Spin Quartet - In Circles
by Dave Sumner, Wondering Sound
Nice modern set from the quartet of trumpeter Chad McCullough, tenor saxophonist Geof Bradfield, bassist Clark Sommers and drummer Kobie Watkins. The way in which McCullough and Bradfield harmonize, it gives the music a heavy presence, but when they go off on separate but related melodic trails, it provides the music a nifty sense of... read more
Laurie Antonioli and Richie Beirach - Varuna
by Carol Banks Weber, AXS
Very rarely lately does the album artwork match the music waiting for the right listener to unlock a whirlwind of emotions. Here on Laurie Antonioli and Richie Beirach's vocal-piano duo album, they do as the pair invites listeners to sit in on their celestial conversation set to stun.
Bay Area jazz singer Laurie Antonioli is not a strong vocalist, but what she does with songs is carry them further than those with every octave on command or... read more
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