LED BY BENJAMIN BOONE, THIS RUMBLE OF A 'GATHERING' OFFERS A SEARING POETICAL TAKE ON TROUBLING TIMES
People who know him probably think of Benjamin Boone, Fresno's composer-saxophonist-poetry-lover extraordinaire, as an optimistic guy. I certainly do. His visage naturally leans far toward the friendly. But when he's serious — or artistically vexed — his face lets you know it.
That face is on display in the marketing material... read more
ALBUM LINER NOTES by Ted Panken:
"Think of any big city," Greg Hill says, introducing the narrative armature of his composition, "The Other Shoe," the denouement and title track of this stimulating collaboration with Michael Dease, who arranged each of Hill's 10 compositions contained herein. "It's 2 in the morning, you're still awake, and your neighbor comes in upstairs. You hear the first clunk when his shoe hits the floor. Then you... read more
With tenor saxophonist David Sills, three big "s" words come to mind: Swinging, soulful, and...surfing?"
Check out the cover photo on his Green CD. You might think it a re-release of a forgotten Chantays?of "Pipeline" fame?album from 1963. The guy on the surfboard?David Sills himself?is cutting into a bottom turn on a clean, overhead steel blue wave, with, it appears, a tube in his immediate future.
Surfing aside, Sills proves himself a... read more
The arranging is a star feature on this album as well, though in this case the ten-piece ensemble is led by guitarist/composer Tom Rizzo. (The arranger is trombonist Nick Lane, who also plays on the session.) The program consists of a few originals but focuses on standards like "So In Love" and Wayne Shorter's "Infant Eyes," with a few curveballs thrown in: a slightly noirish version of Stevie Wonder's "Living for the City," a swamp-funk... read more
I'm kinda glad Jack Mouse named this CD as he did, as I find more than a little Paul Motian in his playing. Motian's Conception Vessel was one of a handful of LPs that early turned me on to the inimitable ECM label, and what now attracts me to Paul's method is what I found in Jack's: a strong tendency to lay an entire environment beneath the rest of the band. Motian's a little artier while Mouse is swingin'er, but the two accomplish the... read more
4-STARS The potent partnership of guitarist John Stowell and saxophonist Michael Zilber plays out on this highly interactive and adventurous set recorded before a live audience at the California Jazz Conservatory in Berkeley. Fueled by the remarkably empathetic Bay Area rhythm tandem of bassist John Shifflet and drummer Jason Lewis, Stowell and Zilber take their time and follow their muse quite freely throughout this intimate concert.... read more
Dave Hanson plays piano and Fender with his team of Mark Simon/b, Paul Romaine/dr and guest Wil Swindler/ts-as on this collection of bluesy originals. On piano, Hanson has that classic warm feel a la Kenny Barron, as he shifts gears on the post bopping "Arnhem" and is lyrically stately around Romaine's brushes during "As It Was And Is", niftily veering through Simon's bass lines on "Cross Steps" and boogalooing with him on "Dylan Dream". His... read more
At the age of 29, Chris Walden came to Hollywood to write music for the movies, but he's gained almost as much attention with his talent-packed big band, winning fans like film composer John Williams and jazz pianist John Grusin.
The German-born trumpeter and composer moved to California in the mid-1990s, looking to find work on big-budget Hollywood productions after establishing himself as one of the top young writers on Germany's... read more
This is just a small collection of the Origin Records reviews. Click here to view all reviews or try to Search for your favorite CD title.
Abate Berihun & The Addis Ken Project - Addis Ken
by Hanna Kay, Cult News (Paris)
Abate Berihun & The Addis Ken Project - Addis Ken
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Abate Berihun & The Addis Ken Project - Addis Ken
by Editor, Bman's Blues Report
Jared Hall - Hometown
by Editor, Bman's Blues Report
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by Editor, Bman's Blues Report
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by Thierry De Clemensat, Paris Move
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by Tom Haugen, Take Effect