Browse some recent Origin Reviews.
Dmitri Matheny - Cascadia
by Dan McClenaghan, All About Jazz
4-STARS Flugelhornist Dmitri Matheny and his quintet play perfectly on Cascadia. There is no surprise there—with a rhythm section of pianist Bill Anschell, bassist Phil Sparks and drummer Mark Ivester backing the front line of Matheny and saxophonist Charles McNeil— perfection is the expectation.
Matheny grew up in Georgia and Arizona, spent a formative and near-obligatory stint in New York City, and played for a time in the band... read more
Thomas Marriott - Both Sides Of The Fence
by Ken Dryden, All Music Guide
Thomas Marriott's second recording is a thoroughly impressive affair, recorded over two studio sessions a few months apart. With a band including pianist Marc Seales, bassist Jeff Johnson, and drummer John Bishop, the leader kicks off the disc with "Both Sides of the Fence," a driving post-bop original that showcases his lyrical chops on flugelhorn in an uptempo setting. Seales switches to electric piano for Marriott's rather dark "The... read more
Hal Galper - Live at the Berlin Philharmonic, 1977
by Chris Spector, Midwest Record
One of the great you wish you were there moments is finally getting it's long over due release, this live date finds Galper fresh off the road from three years with Cannonball Adderley now fronting a band with the Brecker Brothers blowing away. With echoes of Miles in the air, along with a finger pounding that could only have led to early arthritis, this is a killer reminder why the late 70s was a golden and classic period for music no matter... read more
John Stowell - Solitary Tales
by Peter Westbrook, Cadence
Solo guitarist Stowell, heard on Solitary Tales, has a sound harking back to Classical guitar playing with none of the rhythmic stiffness sometimes associated with it. The opening track, "Everything I Love," moves from chiming rubato passages to an improvisation that alternated between thoughtful, climbing episodes and swinging single-note lines. I was reminded of Joe Pass' solo recording for Pablo--but where Pass occasionally overwhelmed me... read more
Jim Knapp Orchestra - Secular Breathing
by Ben Ohmart, Muses Muse
This reviewer has had a favorite jazz label for a while now. I don't care what re-releases MCA and the big boys may come out with. Give me Origin Records and their constantly updated catalog every time. New material. Hot, or smooth, or big sound. Doesn't matter. Whoever makes the decisions about what gets sent to stores is a jazz lover. You can tell. Also by the length of these cds. 30 minutes to Origin means one track. Try 70+ minute cds, like... read more
Hugo Fernandez New Grounds Quartet - Ozean
by Dorothea Gängel, Jazz'N'More (Switzerland)
Mexican guitarist Hugo Fernandez focuses on the ocean on his latest album - the place where life on Earth originated. And it is also the place where cultural exchange took place as peoples set out to explore the continents. Fernandez composed the individual pieces on the album for his quartet in Berlin, his adopted home. A warm sound runs through the entire work, soft, atmospheric, and yet not without surprising twists and turns. Exemplary is... read more
Jared Hall - Seen on the Scene
by Paul Rauch, All About Jazz
4-STARS In many ways the title Seen on the Scene encapsulates trumpeter Jared Hall's story leading up to the studio session in 2018 which resulted in this, his sophomore release. The native of Spokane, Washington, arrived in Seattle in 2017 after completing studies with mercurial trumpet ace Brian Lynch and, almost immediately, scored a residency at Tula's, the city's legendary jazz spot. Sporting new compositions and a new recording on... read more
David Friesen Circle 3 Trio - Interaction
by Raul da Gama, JazzdaGama
Circle 3, bassist David Friesen's exploratory trio is no ordinary threesome. On Interaction this is principally a chordless trio - "principally", because Mr Friesen sometimes deems it fit to add piano to the proceedings - where considerable musical exploration takes place as the music progresses and melodies are tossed around, now feather-light and wispy as cirrus clouds; or melodies that turn dense with sonic narratives, like foreboding... read more
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