Browse some recent Origin Reviews.
John Bishop - Nothing If Not Something
by Dick Crockett, Sacramento Radio
This formative, saxophone, bass and drums is always the most intriguing, giving ample space to all three contributors. Drummer John Bishop is the leader and it's his kinetic underscoring that keeps this music together. Other capables, as Rick Mandyck on saxophone and Jeff Johnson on bass add inventive vectors throughout, especially on "All Day Pass." Then "Orange Blossom" blends an aphrodisiac blend of Paul Desmond and an Oscar Pettiford ver... read more
Shawn Purcell - Oblivity
by Carmel DeSoto, Jazz Music Archives
Shawn Purcell's "Oblivity" is an album of guitar modernism. His long, continuous lines shaped by motivic insistence and impeccable contour sounds unmistakably like 2025, but come from the heritage of the titans of jazz guitar. Purcell is a scholar-practitioner who's literally published on Martino's devices (notably the role of repetitive motives in shaping forward motion), and he even performs on a Benedetto Pat Martino Signature model, which... read more
Toby Koenigsberg - Sense
by Ric Bang, The Davis Enterprise, October 5, 2006
Toby Koenigsberg grew up in Eugene, Ore. where he's now an assistant professor of jazz piano at the University of Oregon. He received his master of music degree from Eastman, and then pursued graduate studies at the Peabody Conservatory.
Jason Palmer, the trio's drummer, has been associated with Koenigsberg for 15 years, when they formed their first musical group. Bassist Tyler Abbot completes the trio, which has been active for three years... read more
Dmitri Matheny - Cascadia
by Robert Rusch, Papatamus
DMITRI MATHENY [flg] has lead a few sessions since he began recording in the late 1980's. CASCADIA [Origin Records 82849] is his latest quintet date featuring Charles McNeal [ts/ss] who blends wonderfully with Matheny on a mixture of fine originals and one jazz standard.... read more
Hal Galper / Reggie Workman / Rashied Ali - Art-Work
by Ken Dryden, All Music Guide
Hal Galper's recordings always have an adventurous spirit, and the live CD Art-Work is no exception. The veteran pianist, joined by bassist Reggie Workman and drummer Rashid Ali (both veterans of John Coltrane's bands, though not at the same time), launches into a furious exploration of Duke Ellington's simple riff blues "Take the Coltrane," though Galper incorporates dissonance into the introduction and quickly builds steam as he takes the... read more
Chris Walden Big Band - No Bounds
by Tony Augarde, MusicWeb International
Too many big band recordings sound the same, using hackneyed techniques and voicings. But this album sounds different right from the very start -- an imaginative arrangement of David Foster's Winter Games. The ensemble sound is a knockout, possibly because Chris Walden uses six trumpets and five trombones, creating a rich and rare depth to the music.
The solos in between the ensembles are more conventional but all skillfully played,... read more
Deep Blue Organ Trio - Wonderful!
by Ross Boissoneau, Jazziz
Stevie Wonder's music has inspired countless musicians. Included among them are B3 player Chris Foreman, guitarist Bobby Broom and drummer Greg Rockingham, a.k.a. the Deep Blue Organ Trio. On Wonderful!, the threesome offer a fresh take on the soul-funk-pop icon's songbook.
Foreman and Rockingham start things rolling on "Tell Me Something Good," with Broom comping behind them. The guitarist then unleashed an astringent solo, exploring the... read more
Greta Matassa | Clipper Anderson - And to All a Good Night
by John Henry, Audiophile Audition
This is definitely the Christmas CD to get if you want something jazzy and hip and not the same old same old. Of the dozen songs here, I think the only one that was familiar to me was Irving Berlin's "Count Your Blessings." Didn't know there were so many appropriate popular tunes for the holidays that didn't make the sophisticated listener grimace.
Clipper Anderson reports that he's known as "Mr. Christmas" around the house and has been... read more
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