Browse some recent Origin Reviews.
Laurie Antonioli and Richie Beirach - Varuna
by Christopher Loudon, JazzTimes
Perhaps least known among contemporary jazz's great voice-piano duos, with 25 years of shared history, Laurie Antonioli and Richie Beirach are also masters of delayed gratification. The Duo Sessions, their first album as coleaders, was recorded in 1992 but not released until 13 years later. This overdue reunion was recorded in Beirach's adopted hometown of Leipzig a decade ago, completed in California in 2012, and at last released in... read more
Greg Yasinitsky - YAZZ Band: New Normal
by Chris Spector, Midwest Record
A proven swinger rallies his troops up to the fact that the tracks they started before Covid got started will have to be finished remotely if they are to be finished at all. This is one leader that doesn't have to worry about getting fragged by friendly fire as they rise to the challenge. Sounding delightfully seamless, this hard charging crew makes it easy to say that big band is hear to stay. A real pulse pounder that feels like a throw... read more
Michael Waldrop - Origin Suite
by David Cohen, Jazzenzo (Netherlands)
Composer, percussionist and vibraphonist Michael Waldrop defines music as follows: "a serious ordering of sound that strives to send messages to the listener, which can not be communicated by spoken or written language". From someone who has formed such clear thoughts about nature and the task of music one is inclined to expect a lot of good things.
The 'Origin Suite' amply satisfies these expectations. Waldrop guides the listener through a... read more
Human Spirit - Dialogue
by Ric Bang, Jazz Scan
The members of Human Spirit ? a core unit of the many jazz musicians who have made Seattle and the Pacific Northwest their home ? are trumpeter/composer/producer Thomas Marriott, saxophonist Mark Taylor and drummer Matt Jorgensen. Their combined resumes includes 14 albums as leaders and dozens more as sidemen. For this release, they added guests Orrin Evans (piano) and Essiet Essiet (bass). The resulting quintet delivers an album dubbed the... read more
Chuck Deardorf - Transparence
by George Fendel, Jazz Society of Oregon
A veteran of countless recording dates, Deardord has been a Rock of Gibralter on the Seattle jazz map for decades. On this intriguing recording, he "mixes and matches" various tunes with different combinations of piano, guitar, drums, tenor and alto sax, percussionists and other participants. A few of the best known names, none of which appear on all tunes, are Bill Mays, piano, Bruce Forman, guitar, and Gary Hobbs, drums. Mays is always a... read more
Richard Sussman - Continuum
by David Orthmann, All About Jazz
Unlike the performance of certain forms of popular music, in which musicians dutifully strive to reproduce perfect versions of tracks from a record, a jazz CD release party proceeds from entirely different expectations. Befitting the music's emphasis on improvisation and the element of surprise, a live set of previously recorded compositions serves as a jumping off point for differences born in the heat of the moment. On the first night of... read more
Storms/Nocturnes - VIA
by Mauretta Heinzelmann, NDR Radio, Germany "Album of the Week"
"Via", the new album by the trio "Storms / Nocturnes" is at all musical qualities, the most striking feature of the addiction factor: it looks forward to hearing it again and again, a positive atmosphere full of life rings through in almost every way. by casual virtuosity as well as by sensitive melodies are influenced piano, vibraphone and saxophone. an exceptional cast, the clear crystal chamber music as well as dense complex harmonics allows... read more
Hal Galper Trio - Airegin Revisited
by George Fendel, Jazz Society of Oregon
There?s some real deep, thoughtful stuff going on here. Right off the bat, it seems that Hal Galper has taken a turn in the road since his more straight ahead days on the Concord label. His music is more angular, with increased emphasis on creative and sometimes complex improvisation and less attention to melody. I gotta admit, it?s often compelling listening. However, I had to work pretty hard to get to it. Take the opener, Gershwin?s classic... read more
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