Browse some recent Origin Reviews.
Ira Sullivan & Stu Katz - A Family Affair - Live at Joe Segal's Jazz Showcase
by Ken Dryden, All Music Guide
Multi-instrumentalist Ira Sullivan spent a good while working around Chicago before leaving for Florida in the early '60s, though he retained a significant fan base in his old hometown. This live recording made in 2010 over four nights at Joe Segal's Jazz Showcase is a reunion, featuring vibraphonist Stu Katz, who while in his teens had regularly sat in with Sullivan over a half-century earlier before pursuing a law career. Joining them in the... read more
Wellstone Conspiracy - Motives
by Larry Hollis, Cadence Magazine
The background information for Wellstone Conspiracy may be a tad confusing. This quartet made its debut a couple of years ago on the same label with an album (under Brent Jensen's name) entitled One More Mile. Yours truly gave them a respectable review then and the same holds true with this latest one. All of these fellows are veterans of the Pacific Northwest Jazz scene and are accorded the respect they deserve. As with their debut outing,... read more
Hans Teuber & Jeff Johnson - Deuce
by Chris Spector, Midwest Record
An utterly elegant sax/bass duo that plays it straight without any outside embellishment and shows you how to deliver a proper recital that has feeling rather than just be pretty but just lay there. Playing together for over 25 years, this duo has the telepathy in place to lead you even if they haven't thought ahead to where they are going to take you. This is a fine example of the tasty sound of... read more
Brad Goode - The Unknown
by Dan McClenaghan, All About Jazz
4 1/2 - STARS One of the joys attached to reviewing music is the exposure to artists who otherwise might not show up on the radar. For every Pat Metheny there are a hundred highly-creative, lower-profile, hugely-talented guitarists plucking the strings; for every Brad Mehldau plying the trade ten dozen marvelous, relatively unknown pianists show up in the mailbox or the downloads. And for every Ralph Alessi out there blowing their horns,... read more
Greta Matassa - All This And Heaven Too
by Jason West, JazzSteps
Greta Matassa packs the energy, embellishment and awe of a gospel choir into her voice, wedding the secular and spiritual to invariably produce roof-raising performances. A spontaneous singer who is not afraid to challenge herself, Greta takes a lot of risks with her voice and sometimes these risks get her into trouble on this live recording, where, unlike a studio session, second chances are not an option. On "Why Try to Change Me Now/Crazy He... read more
Gregg Keplinger / Reuben Radding / Daniel Carter - Language
by Aaron Steinberg, Jazz Times
Though it was on his mind for some time, it wasn't until he quit New York City (temporarily) and moved out West that bassist Reuben Radding finally got a chance to form a project around just himself and his longtime associate, multi-instrumentalist Daniel Carter. The self-effacing Carter, known mostly for his work with Test and Other Dimensions in Music, had to leave most of his instruments at home in NYC due to the post 9/11 airline luggage... read more
Clark Sommers - Ba(SH)
by Chris Spector, Midwest Record
In his day job, he might be the bass playing sidekick of Kurt Elling, but after hours, he's now in his 15th year with this progressive jazz trio also featuring Dana Hall and Geof Bradfield. Playing with the simpatico that keeps you together for so long without getting sick of each other, this is a BYG trip to the church basement that knows no margins or bounds other than not playing music that sucks. It's wild ride that reminds you what free... read more
Cuong Vu - Leaps of Faith
by Phillip McNally, Cadence
Trumpeter Cuong Vu's 4-tet appears to be bottom-heavy too, what with two electric bassists. And Takeishi and Bergman are really playing electric too; not the kind of bass work that tries to sound wooden through the amp. But Leaps of Faith is not the funk affair that it might make it seem. there are lost of electronics used on this live recording, on all four instruments, and every bit of it is remarkably musical and tasteful. There is never... read more
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