Origin Records Reviews



Sarah Partridge - I Never Thought I'd Be Here
by C. Michael Bailey, All About Jazz

Boston-born singer Sarah Partridge didn't start out a singer. She started out as an actor (you can see her opposite of Tom Cruise in Risky Business (Warner Brothers, 1983)) who took the Karaoke stage one night and got noticed by the right ears and five recordings later the rest is history. Where her previous recording, Perspective (Self Produced, 2010) was an intimate, piano-voice affair of standards, the present I Never Thought I'd Be Here is... read more

Nnenna Freelon - Beneath the Skin
by George W Harris, Jazz Weekly

Ringer of the Week! Vocalist Nnenna Freelon has had a career that could easily be divided into two eras. Her early career had her create albums that mixed soul, R&B and smooth jazz in an irresistible fashion. Around 2012, she seemed to have taken a break from recording and touring, and has since returned to the scene with a more reflective, thoughtful and world-wise fragrance to her sound. This recent release with Alan Pasqua/p-key,... read more

Gwendolyn Dease - Beguiled
by Dan Bilawsky, All About Jazz

4-STARS While this fourth album from marimbist Gwendolyn Dease is rightly seeing release on the classical arm of Origin Records, it wouldn't have been completely out of place if it had landed on the jazz side of that imprint. Dease bypasses contemporary marimba fare and late twentieth century favorites from the usual suspects like Ney Rosauro, Casey Cangelosi, Joseph Schwanter, Keiko Abe, and Jacob Druckman, focusing instead on newly... read more

Todd Bishop - Little Played Little Bird
by Dave Sumner, emusic Review

Concept album that performs renditions of lesser-known Ornette Coleman tunes (except ?Lonely Woman,? which Bishop admits to including because he loves playing it, ?concept be damned.?). Bishop on drums and leading a quintet that includes a family of saxes, bass clarinet, piano & Wurlitzer, and bass. A strong recording that brings plenty of swing, fire, and blues to the Coleman compositions. Not a requirement to actually enjoy Ornette Coleman?s... read more

Bobby Broom - Bobby Broom Plays for Monk
by Jon Poses, Columbia Daily Tribune

Guitarist Bobby Broom, now a fixture on the Chicago scene, is as well-known for his periodic work as a member of many of Sonny Rollins' groups during the past two decades as he is for his own efforts as a leader and accomplished guitarist.

Broom, who can be seen and heard in Chicago quite regularly, has issued, of late, a series of very good recordings. The newest, "Bobby Broom Plays For Monk," was released this week and continues the string... read more

Sam Yahel - Truth And Beauty
by Jeff Simon, The Buffalo News

What you've got here are some smart things Generations X jazz musicians have been doing in record studios lately - some of the cream of Generation X in the Sam Yahel Trio's "Truth and Beauty".

The liner notes on "Truth and Beauty" (thank you, John Keats) are by generational valedictorian and pianist Brad Mehldau, who tells us he and Yahel were New York Jazz arrivals together from 1988 to 1990. He admits that while "flexibility is a hallmark... read more

Anthony Branker & Imagine - Songs My Mom Liked
by Richard Kamins, Step Tempest

There are many listeners of contemporary music no matter the genre are usually looking for spiritual uplift. Listeners say they love technical prowess or "new" sounds but what makes us return to music is how it moves us. Music is a "full-body experience" - for this listener, it usually starts with moving my feet, then enters into my brain, and finally into my heart. If it feels "real nice", play it twice. That's why I like the music of John... read more

Human Spirit - Dialogue
by Tom Hull, Jazz Perspectives

Human Spirit: Dialogue: Live at the Earshot Jazz Festival (2011 [2012], Origin): Seattle group, named for recent Thomas Marriott album -- Marriott plays trumpet, Mark Taylor alto sax, and Matt Jorgensen drums, each contributing tunes (Marriott 4 of 8, the others two each), but since that doesn't quite make for a modern postbop band, they added "special guets" Orrin Evans (piano) and Essiet Essiet (bass) -- Evans was an especially... read more

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