Browse some recent Origin Reviews.
Dan Dean - Songs Without Words
by Chris Lunn, Ancient Victorys
This is an unusual and special project. Dan Dean is known for his own groups, recording and mixing, and his collaborations with Tom Collier. I first encountered his works with a couple of different groups at the Other Side of the Tracks in the mid 70s along with his work with Collier, with whom he has been musical buddies even in their teenage years. His bass work and sound is found in many recording groups and engineers, because of Dean's... read more
Ben Paterson - For Once In My Life
by Thomas Conrad, JazzTimes
The jazz audience contains people, present company not necessarily excepted, who are resistant to the charms of the Hammond B-3. They find it a somewhat vulgar instrument, with unpleasant, artificial sonorities. They all need to meet Ben Paterson. He may be the most purely musical organist out there. He is not into shrieking and raising hell. He is not about sweat and grease. His virtues are ones not normally associated with the B-3, such as... read more
Josh Nelson - Exploring Mars
by Brent Black, Critical Jazz
A dazzling exploration of harmonic possibilities, Exploring Mars is a triumph!
A very cerebral recording, Exploring Mars continues his influences drawn from a personal love of science fiction, Exploring Mars embraces an almost three dimensional sonic depth of field. The conceptual aspect causes only few minor bumps in the road as the spoken word passage on the buoyant "Spirit" adds very little if anything to a composition that... read more
Mark Colby - Reflections
by Paul Abella, Chicago Jazz Magazine
Mark Colby has come out with a new disc, Reflections, on Origin Records. Colby joins a long list of Chicago's top-notch musicians making the move to that label, and like most of Origin's other releases, this one is flat-out fantastic. I'm beginning to think that John and Chad, the masterminds of that label, have no idea how to put out a bad record.
As a matter of fact, you just know that this is going to be a great album from the... read more
Karrin Allyson - A Kiss for Brazil
by Scott Yanow, LA Jazz Scene
Karrin Allyson, who has been recording rewarding albums since 1992, is still in prime form these days. On A Kiss For Brazil which is at least her 17th album, she displays her long-time love for Brazilian music. In 2008 Allyson had recorded an album titled Imagina: Songs Of Brasil and her rendition of Antonio Carlos Jobim's "O Pato" (complete with her charming quacking) is one of several Brazilian songs that have long been in her repertoire.
A... read more
James Moody - 80 Years Young: Live at the Blue Note, March 26, 2005
by Ferdinand Dupuis-Panther, Jazz'halo (Belgium)
Short introduction to the current album from the point of view of Origin Records: "It was an unforgettable week of music at the Blue Note in New York City, March 2005, celebrating the legendary saxophonist & flutist James Moody's 80th birthday. 80 Years Young documents the grand finale of that week, now released for the first time and in celebration of the 100th anniversary of his birth. The club was buzzing that night with jazz legends, sports... read more
Chad McCullough & Bram Weijters - Imaginary Sketches
by Tom D'Antoni, Oregon Music News
Seattle-based trumpeter Chad McCullough has quickly come into his own. His addition to The Kora Band put it over the top. Last year's album The Sky Cries with Slovakian pianist Michal Vanoucek along with Portland bassist Dave Captein, and Seattle's Matt Jorgensen (drums) and Mark Taylor (sax) was well received.
On the heels of that comes a collaboration with Antwerp-based pianist Bram Weijters which shows off McCullough's warm lyricism in a... read more
Alison Ruble - This Is A Bird
by Ken Dryden, All Music Guide
Alison Ruble is a sublime vocalist with an adventurous spirit on her debut CD. Gifted with a rich alto and precise articulation, she blends elements of pop and folk into her infectious arrangement of Cole Porter's "So in Love," while her sublime, deliberate and funky setting of "If I Had You" casts another chestnut in very new light. Guitarist John McLean and Jim Gailloreto's playful alto flute provide sublime accompaniment for her warm vocals... read more
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