Browse some recent Origin Reviews.
Delia Fischer - Delia Fischer: Beyond Bossa
by George W Harris, Jazz Weekly
Vocalist and pianist Delia Fischer takes the tried and true sounds of Brazilian bossa nova and adds a tincture of modernity with some electrical workings by the likes of Antonio Fischer-Band, Matias Correa, Sacha Amback and Rodrio Campello to her mix and match collection of percussion, strings and woodwinds. Her clear and luminous voice glides over a synthy pulse on "A Little Samba" and is cozy with the plugged in sounds framing "My Time". She... read more
Les DeMerle Sound 67 - Once in a Lifetime
by George W Harris, Jazz Weekly
Back in 1967, the careers of both drummer Les DeMerle and trumpeter Randy Brecker were just beginning, and this recently discovered album has the two together along with a rotating team of Lanny Morgan/asfl, Alan Gauvin/as, Terry Plumeri-Jack Greg/b and Genya Ravan/voc. DeMarle is snappy on the snares along with Brecker and Gauvin on Jazz Messenger inspired pieces like "Come Back To Me" and the horns dig in on "Sticks" with DeMerle cracking the... read more
David Friesen - Structures
by Chris Spector, Midwest Record
Unlike other cats that have been playing forever and like to push the envelop, Friesen doesn't do things just to do them and seems to only unleash his releases when they are ready. Here we find him at the center of a double disc set of duets, each disc having a different duet partner of high quality. Intimate stuff that could be a recital but has too much blood flowing through it to come off that way, let's call it a master class with a jazzbo... read more
Ark Ovrutski - Intersection
by George W. Harris, Jazz Weekly
Bassist Ark Ovrutski delivers a snapping session as he leads a team of Michael Dease/tb, Michael Thomas/as-ss, Helio Alves/p and Duduka Da Fonseca through a rich mix of originals and covers.
He displays his rich and resonant sound right off the bat here as he introduces the album with "Waltz For Debby" before the warm trombone and alto glide in for the melody. He repeats this pattern as he opens up the striding "La Mesha" and pianistically... read more
Michael Waldrop - Origin Suite
by Dave Gregg, Jazz Reader
4 1/2 STARS "Origin Suite," the new jazz CD by drummer and composer Michael Waldrop, is a dazzling potpourri of diverse musical styles and aesthetics, a bold and ebullient example of how jazz forever revitalizes and remains infinite in its form of expression.
In a review of Waldrop's previous album, his considerable talents were given the following mention:
Waldrop is the indomitable anchor of an ensemble, a master of kinetic... read more
Harvie S - Bright Dawn
by Thierry De Clemensat, Paris-Move
5 STARS
Few bassists in contemporary jazz combine diplomatic stature, compositional ambition and melodic authority as convincingly as Harvie S. A former Jazz Ambassador for the United States, a touring artist across Europe and Southeast Asia, and co-leader of the influential Double Image, which recorded for ECM Records and Enja Records, Harvie S brings decades of global experience to Bright Dawn. But this album is not a... read more
Corey Christiansen - Dusk
by John Gilbreath, Jazz at the Library (Anacortes)
Guitarist Corey Christiansen has an innate skill at bridging traditional Americana music with jazz. This wonderful recording is as much a showcase for his emotive and fluid band, as it is for Christiansen's prodigious chops and laser sharp focus. As a suite of original compositions, plus one traditional, "Didn't Leave Nobody But the Baby," Dusk is evocative of feelings, people, and places, both imagined and... read more
Doug Lofstrom with Misha Rachlevsky & the Russian String Orchestra - Music for Strings
by Ron Schepper, Textura
The earliest material on this thoroughly appealing collection of classical material by Chicago composer Doug Lofstrom dates back to 1971, yet Music for Strings sounds as fresh as the day it was born. How the Russian String Orchestra and its conductor founder Misha Rachlevsky came to perform the four Lofstrom works on the release isn't clarified; regardless, both listeners and composer are fortunate they did. The committed renderings by the... read more
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