Browse some recent Origin Reviews.
Eddie Allen and PUSH - The Rhythm
by Jack Bowers, All About Jazz
Brooklyn-based trumpeter Eddie Allen and his well-groomed sextet, PUSH, truly are Rhythm People, as they prove time and again on Allen's ninth recording as leader of his own group. Whatever the tone or tempo, PUSH swings its merry way through a dozen bright and upbeat tunes, most written and all arranged by Allen, wherein strong and dazzling rhythms are almost always front and center.
The lone exception to that rule is the brief "Psalms 150,"... read more
Hal Galper - E Pluribus Unum - Live in Seattle
by Dan McClenaghan, All About Jazz
Pianist Hal Galper began his journey into "rubato" playing early on in the new millennium, after a quite vibrant career in the mainstream, playing and recording with the likes of all-star alto saxophonists Phil Woods and Cannonball Adderley, legendary trumpeter Chet Baker and guitarist John Scofield. It hasn't always been a smooth ride. At a show with guitarist John Stowell at Carlsbad, California's Museum of Making Music back in 2007, drawing a... read more
speak - Speak
by Thomas R. Erdmann, JazzReview.com
That there is still, in this jazz label-less era we currently live in, a place where experimental jazz can find a home and a means to release music that is not self-produced and released is to be celebrated. Origin Records has almost singlehandedly taken on the mantel of being such a location. Their release of Speak, the eponymously self-titled first recording by the five member amalgam of musicians that was originally billed as trumpeter... read more
Dan Dean - Songs Without Words
by Chris Lunn, Ancient Victorys
This is an unusual and special project. Dan Dean is known for his own groups, recording and mixing, and his collaborations with Tom Collier. I first encountered his works with a couple of different groups at the Other Side of the Tracks in the mid 70s along with his work with Collier, with whom he has been musical buddies even in their teenage years. His bass work and sound is found in many recording groups and engineers, because of Dean's... read more
Kelly Sill / Jim McNeely / Joel Spencer - Boneyard
by Ken Dryden, all about jazz.com
Jim McNeely, Kelly Sill and Joel Spencer are three old friends who have played together on occasion over the decades but never recorded as a trio until now. Although Boneyard refers to a creek in Champaign, Ill., it might conjure thoughts of overly familiar standards and jazz compositions as performed on many releases. But this trio avoids common paths by disguising introductions, inserting catchy vamps and chord changes in their offbeat... read more
Manzanita Quintet - Osmosis
by Cedric Hendrix, Cirdec Songs
A real beauty! A nice bit of modern jazz that manages to adhere to the form without ever really trying to reach it in conventional fashion. It flirts with the avant-garde while still maintaining a solid sense of groove and melody. Trumpeter Josh D. Reed had a gorgeous tone with the flow of Freddie Hubbard. Peter Epstein's sax is the ideal foil as it weaves in and out of the melody. Adam Benjamin's keyboards are steady rhythmically and highly... read more
Brittany Anjou - Enamigo Reciprokataj
by Georges Tonla Briquet, JazzHalo (Belgium)
Jazz (improvisation) and Esperanto are two equal entities with a universal character for the American pianist Brittany Anjou. Hence the CD title in Esperanto (mutual love). It is not surprising that her compositions contain characteristics from all over jazz history and that she constantly switches from one perspective to the other. Swing and bop thrive smoothly alongside rock and latin. She is also a fan of both Ahmad Jamal and Stravinsky.... read more
Jessica Williams - Songs For A New Century
by Robert Doerschuk, Downbeat, December 2008
On Songs For A New Century (****) Jessica Williams proves that she excels in the solo format. These pieces may owe something to her decision to remove the music stand and fall-board, unfold the front part of the lid and lower the level of her seat. What matters more is the results of this tinkering, and while outside effects do crop up, such as the sparking string plucks on "Toshiko," the effect is one of consonance and elegance, more... read more
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