Origin Records Reviews



John Moulder - Trinity
by David R. Adler, JazzTimes, December 2006

John Moulder of Chicago spent five years composing the material for his album Trinity. It's an epic three-part program inspired by religious belief, but it can be appreciated on any number of levels. The sound of the recording is tremendous, as are the performances - from such players as pianist Laurence Hobgood, saxophonist Brad Wheeler, trumpeter Tito Carrillo, reedist Paul McCandless, drummer Paul Wertico and others. Moulder spends... read more

Rodney Whitaker - Common Ground: The Music of Gregg Hill
by Editor, Jazz Chill

Common Ground is the first of five CDs that bass maestro Rodney Whitaker intends to release in 2019 in acknowledgment of his fiftieth birthday year. It's his seventh album, and embodies the musical values that Whitaker has projected on antecedent dates like When We Find Ourselves Alone, from 2014; such turn-of-the-century gems as Winter Moon, Ballads and Blues: The Brooklyn Session and Yesterday, Today and Tomorrow; and the critically acclaimed... read more

Roxy Coss - Restless Idealism
by Bob Weinberg, JAZZIZ

Plaudits and plum assignments are nothing new to saxophonist Roxy Coss. The New York City-based musician, who graduated Magna Cum Laude from William Paterson University in 2008, has earned coveted space with the Mingus Big Band and The Diva Jazz Orchestra and was a member in good standing of trumpeter Jeremy Pelt's group. Fronting her own band, she held down a weekly residency at Smoke for a couple of years. None of this escaped the notice of... read more

Dan Cray - Meridies
by Bill Milkowski, JazzTimes

A Chicago native and newcomer to New York City, pianist Dan Cray joins with bassist Clark Sommers, drummer Mark Ferber and tenor saxophonist Noah Preminger on his sixth CD as a leader. Originals like the Latin-tinged "Worst Enemy," the breezy waltz-time "East 69" and the gently swinging "Winter Rose (1728)" show the scope of Cray's writing and improvisatinal skills. Preminger's breathy tenor tones are prominently featured an the smoky ballad... read more

Doug Beavers Orchestra - Jazz, Baby!
by George Fendel, Jazz Society of Oregon

Here is your opportunity to bring up baby on some legit jazz with a swingin' band and vocals by Matt Catingub and Linda Harmon. I have two grandkids in Philly and one on the way in L.A., and you may be sure that they'll love receive copies of this delicious disc. Included are swinging versions of kiddy tunes like "Twinkle Twinkle Little Star," "Itsy Bitsy Spider," "Hush Little Baby," "The Ants Go Marching In" and "You Are My Sunshine," among... read more

Piet Verbist - Zygomatik
by Bill Milkowski, JazzTimes

Veteran Belgian bassist-composer Piet Verbist expertly blends bop, rock and funk feels on his debut as a leader. With huge upright tone, he lays down a heavy groove on the imposing opener, "PMS Alert," underscored by drummer Herman Pardon's muscular backbeat and Bram Weijter's slightly distorted Fender Rhodes. Tenor saxophonist Matt Renzi and baritone saxophonist Vincent Brijs create a telepathic dialogue on "Above & Beyond," before... read more

Bridge Quartet - Night
by Ken Dryden, All Music Guide

The Bridge Quartet consists of tenor saxophonist Phil Dwyer, pianist Darrell Grant, bassist Tom Wakeling, and drummer Alan Jones: Night is the second volume of their work together over a two day period in 2007, complicated by Dwyer being delayed at the U.S.-Canada border on his way to Portland. There's a bit more energy in this recording than their earlier release, since it is before a live audience. The quartet really stretches out on several... read more

Thomas Marriott - Flexicon
by Dan McClenaghan, All About Jazz.com

If Seattle, Washington-based Origin Records can be said to have a signature sound, trumpeter Thomas Marriott's Flexicon could be picked as an example. The music is mainstream, with two horns and a rhythm section, polished up and modernized with a nice edge, some luminous Fender Rhodes, a solid-yet-adventurous bassist, and a top notch, push-the-tradition-forward drummer. And everything small and large that the drummer does can be heard.... read more

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